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Cushion : Monk mowed as punishment for his debauche. Miniature from the manuscript "
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Monk mowed as punishment for his debauche. Miniature from the manuscript "
JLJ4661367 Monk mowed as punishment for his debauche. Miniature from the manuscript " Customs of Toulouse" (Folio 33V), 1296. Paris, B. N. by French School, (13th century); (add.info.: Monk mowed as punishment for his debauche. Miniature from the manuscript " Customs of Toulouse" (Folio 33V), 1296. Paris, B. N.); Photo ePhoto Josse; French, out of copyright
Media ID 23323094
© Josse / Bridgeman Images
Abuse Capital Sins Chatiment Débauché Scissors Vice Punishment
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment from the 13th-century manuscript "Customs of Toulouse" showcasing a unique form of punishment for a debauched monk. The miniature depicts the scene where the wayward clergyman is being mowed as penance for his transgressions. Created by an anonymous French artist, this intricate illumination showcases the intersection between religion and discipline during medieval times. The monk's expression reveals both remorse and acceptance as he endures his chastisement. With scissors in hand, symbolizing the severing of sinful ties, his hair is meticulously trimmed by another member of his religious order. This act serves not only as a physical consequence but also as a spiritual purification, emphasizing the importance placed on repentance within religious communities. The image offers insight into societal attitudes towards vice and capital sins during that era. It reminds us that even those dedicated to God were not immune to temptation or moral failings. Through this visual representation, we are reminded of our own fallibility and the need for self-reflection. Preserved in Paris' B. N. , this photograph allows us to appreciate both its historical significance and artistic beauty. As we gaze upon this ancient artwork, we are transported back in time to witness an intriguing moment from centuries past – one that sheds light on the complexities of human nature and spirituality during medieval Europe.
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