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Caricature of Paris Invaded by Demolishers (engraving)
3483061 Caricature of Paris Invaded by Demolishers (engraving) by Morin, Edmond (1824-82); Private Collection; (add.info.: Edmont Morins caricature emphasizes the invasive and destructive nature of Georges-EugAne Haussmanns Paris renovation.); French, out of copyright
Media ID 23641300
© Bridgeman Images
Baron Haussmann Capital City Demolished Demolition Destroyed Destructive Large Modernisation Personification Reclining Renovation
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving by Edmond Morin, titled "Caricature of Paris Invaded by Demolishers" offers a thought-provoking commentary on the transformative renovation of Paris led by Georges-Eugène Haussmann. The artist's caricature skillfully portrays the invasive and destructive nature of this ambitious project. In the foreground, we see a bustling scene that symbolizes modernization and progress. A group of workers, both men and women, are depicted tirelessly demolishing buildings with their tools in hand. Among them is an elderly woman reclining on a train carriage - perhaps representing the destruction faced by those who had called these buildings home for generations. The central figure in this allegorical representation is Baron Haussmann himself, portrayed as a large and imposing character overseeing the demolition process. This personification highlights his significant role in reshaping the cityscape of Paris. Morin's artwork captures not only physical destruction but also hints at societal implications. The fatigued expressions on some workers' faces suggest the toll this massive undertaking took on individuals involved in its execution. Overall, this print serves as a powerful reminder of how urban development can bring about both positive change and profound disruption to communities. It invites viewers to reflect upon the complexities inherent in efforts to modernize cities while preserving their historical essence.
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