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Stained Glass in St Marks - the taking of Christ (w / c on paper)
2832124 Stained Glass in St Marks - the taking of Christ (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 23473716
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Betrayal Flogging Gethsemane Judas Kill Ecclesiastical
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the intricate beauty of stained glass in St Marks, depicting a powerful scene from the New Testament - "the taking of Christ". Created by Joseph Manning, a renowned artist from the 19th century, this watercolor on paper masterpiece is housed in the prestigious Bristol Museum and Art Gallery in the UK. The image captures a pivotal moment in religious history as it portrays Jesus Christ being betrayed by Judas. The vibrant colors and meticulous details bring to life the anguish and betrayal felt during this event. The stained glass panel depicts not only the act of betrayal but also hints at what lies ahead for Jesus - flogging and ultimately his crucifixion. The skillful brushstrokes used by Manning beautifully convey emotions such as pain, sorrow, and resignation. As viewers gaze upon this artwork, they are transported back to Gethsemane where Jesus faced immense suffering before fulfilling his divine purpose. Donated to the museum by William Jerdone Braikenridge in 1908, this painting serves as a testament to both artistic excellence and spiritual significance. It reminds us of humanity's capacity for both great acts of love and devastating acts of betrayal. Through its rich symbolism and masterful execution, "Stained Glass in St Marks - the taking of Christ" continues to captivate audiences with its timeless message about sacrifice, redemption, and faith.
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