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Cushion : Madonna and Child with Donors and an Angel, central panel of a triptych, 1485-90 (panel)
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Madonna and Child with Donors and an Angel, central panel of a triptych, 1485-90 (panel)
XAM87690 Madonna and Child with Donors and an Angel, central panel of a triptych, 1485-90 (panel) by Memling, Hans (c.1433-94); Kunsthistorisches Museum, Vienna, Austria; (add.info.: side panels depict John the Baptist and John the Evangelist;)
Media ID 31717522
© Bridgeman Images
Altarpiece Apple Baldaquin Blessed Virgin Mary Christ The King Garland Hans Memling Holy Virgin Holy Virgin Mary Madonna And Child Madonna With Child Mary And Child Mater Dei Memling Hans 1433 1494 St Mary The Virgin Viola Virgin And Child Virgin Mry Virgo Immaculata 15th 15 Xv Xvth Fifteenth Century Biblical Charcter Biblical Figure Blessed Virgin Christ Jesus Flemish Art Flemish Artist Jesus Of Nazareth
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of Hans Memling, a renowned Flemish painter from the 15th century. Titled "Madonna and Child with Donors and an Angel" this central panel is part of a larger triptych housed in the Kunsthistorisches Museum in Vienna, Austria. The central panel depicts the iconic scene of Madonna and Child, where the Virgin Mary tenderly cradles baby Jesus in her arms. Surrounding them are donors paying homage to this sacred moment, while an angel stands by their side offering divine protection. The artist's attention to detail is evident in every brushstroke, capturing both the beauty and spirituality of this biblical narrative. The side panels portray John the Baptist and John the Evangelist, further enriching the religious significance of this altarpiece. Memling's masterful use of color and composition creates a harmonious atmosphere that draws viewers into this holy scene. As we gaze upon this print, we are transported back to 15th-century Flanders, immersing ourselves in its rich artistic heritage. The presence of symbols such as apples, violas, and garlands adds depth to our understanding of Christian symbolism within Renaissance art. This print not only serves as a visual delight but also invites contemplation on themes such as faith, devotion, and motherhood. It reminds us that art has always been a powerful medium for expressing religious beliefs throughout history.
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