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A Seizure, c. 1840 (litho) (b / w photo)
CHT217761 A Seizure, c.1840 (litho) (b/w photo) by Grandville (Jean Ignace Isidore Gerard) (1803-47) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; © Archives Charmet
Media ID 25469210
© Archives Charmet / Bridgeman Images
Bailiff Bailiffs Bottle Bottled Bottles Bottling Broom Brooms Chamberpot Cruel Cruelty Crying Despair Desperation Distress Distressed Dustpan And Brush Glasses Mattress Misery Mother And Child Plate Quill Saucepan Seizing Spectacles Toddler Toddlers Wretch Confiscation New Baby New Born New Born Babes New Born Infant Newborn Newly Born
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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A Seizure, c. 1840 - A Glimpse into the Cruelty of Poverty
EDITORS COMMENTS
. This print titled "A Seizure, c. 1840" by Grandville (Jean Ignace Isidore Gerard) offers a poignant glimpse into the harsh realities faced by the poor in 19th-century Paris. The image, housed at Musee de la Ville de Paris, Musee Carnavalet, Paris, France, captures a scene of distress and desperation. In this satirical drawing turned lithograph, we witness an interior setting where a mother and her child are subjected to the cruelty of bailiffs seizing their belongings. The room is filled with symbols of poverty - from a worn-out mattress to a chamberpot and broom. The artist's attention to detail is evident as he includes ink rollers for lithographs and even spectacles on one character's face. The heart-wrenching sight of the crying baby adds another layer of anguish to this already scathing satire on societal inequality. Through his masterful engraving technique, Grandville conveys not only the physical confiscation but also the emotional turmoil experienced by those living in destitution. This thought-provoking artwork serves as a reminder that poverty knows no boundaries or time periods; it persists throughout history across different societies. It compels us to reflect on our own role in addressing social injustices and reminds us that compassion can make all the difference in alleviating human suffering. (Note:
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