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Cushion : The Presentation of Mary in the Temple, 1433-34 (fresco) (detail)
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The Presentation of Mary in the Temple, 1433-34 (fresco) (detail)
XIR155326 The Presentation of Mary in the Temple, 1433-34 (fresco) (detail) by Uccello, Paolo (1397-1475); Duomo, Prato, Italy; (add.info.: scenes from the life of the Virgin in the Cappella dell Assunta; Chapel of the Assumption; ); Italian, out of copyright
Media ID 12730689
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Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This detail of "The Presentation of Mary in the Temple" by Paolo Uccello transports us back to 15th-century Italy, where this magnificent fresco adorns the walls of the Duomo in Prato. The scene depicted here is part of a series showcasing pivotal moments from the life of the Virgin Mary, specifically taking place in the Cappella dell'Assunta. In this particular section, our attention is drawn to a twisted column that stands as an architectural marvel within the temple. A group of children and onlookers gather around it, their innocent faces filled with awe and curiosity. Among them stands a young girl who seems particularly captivated by what she sees before her. The interior setting exudes a sense of grandeur and reverence befitting such an important religious event. The Renaissance style shines through in every meticulously painted detail, from the intricate patterns on the floor to the ornate decorations adorning the walls. As we gaze upon this print, we are transported into Uccello's world, where he masterfully captures both human emotion and architectural beauty. It serves as a reminder not only of his artistic genius but also of how art has long been used to depict sacred stories and inspire devotion.
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