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Cushion : Emperor Heraclius Denied Entry into Jerusalem, 1485-95 (tempera and oil on panel)
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Emperor Heraclius Denied Entry into Jerusalem, 1485-95 (tempera and oil on panel)
5861591 Emperor Heraclius Denied Entry into Jerusalem, 1485-95 (tempera and oil on panel) by Netherlandish School, (15th century); 67.6x54.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: 67.6 x 54.2 cm (26 5/8 x 21 5/16 in.); painted surface: 67 x 53 cm (26 3/8 x 20 7/8 in.)); Netherlandish, out of copyright
Media ID 22562378
© Bridgeman Images
Byzantine Crucifix Heraclius Jerusalem True Cross Walled Northern Renaissance
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Emperor Heraclius Denied Entry into Jerusalem - A Glimpse into the Struggles of Power and Faith
EDITORS COMMENTS
. This print captures a momentous scene from history, depicting Emperor Heraclius being denied entry into Jerusalem. Created by the Netherlandish School in the 15th century, this tempera and oil on panel painting measures 67.6x54.2 cm and is housed at The Art Institute of Chicago. The composition showcases an intricate blend of Renaissance and Northern Renaissance styles, with meticulous attention to detail evident in every brushstroke. The central focus lies on Emperor Heraclius himself, standing before the imposing city walls as he attempts to enter with his army. Symbolism abounds within this artwork - a towering crucifix looms above the city gates, representing both religious devotion and power dynamics between Christianity and Byzantine rule. The presence of soldiers emphasizes the military might behind Heraclius' quest for control over Jerusalem. As we delve deeper into this piece, it becomes clear that it not only portrays a historical event but also explores themes of faith, struggle, and human ambition. It invites viewers to contemplate the complexities surrounding religion's influence on political affairs during this period. Through its masterful execution and thought-provoking subject matter, "Emperor Heraclius Denied Entry into Jerusalem" serves as a window into an era defined by clashes between empires vying for dominance while grappling with matters of faith.
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