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Cushion : The Archangel Gabriel leaving the family of Tobias. 1637 (oil on wood)

The Archangel Gabriel leaving the family of Tobias. 1637 (oil on wood)



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The Archangel Gabriel leaving the family of Tobias. 1637 (oil on wood)

JLJ4581020 The Archangel Gabriel leaving the family of Tobias. 1637 (oil on wood) by Rembrandt Harmensz. van Rijn (1606-69); 66x52 cm; Louvre, Paris, France; Photo ePhoto Josse; Dutch, out of copyright

Media ID 23721892

© Josse / Bridgeman Images

Amazement Archangel Blindness Eyesight Guardian Shock Surprise Surprised Flemish Art


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Artists > R > Rembrandt Harmensz. van Rijn Rembrandt

> Arts > Artists > R > Rembrandt

> Arts > Artists > Rembrandt van Rijn > Biblical themes in art

> Arts > Artists > Rembrandt van Rijn

> Arts > Artists > Rembrandt

> Arts > Artists > V > Rembrandt van

> Europe > France > Paintings

> Europe > France > Paris > Museums > The Louvre

> Europe > France > Paris > Related Images

> Europe > France > Paris > Sights > Louvre

> Fine Art Finder > Artists > Philippe de Champaigne

> Fine Art Finder > Artists > Rembrandt Harmensz. van Rijn


EDITORS COMMENTS
This print captures the profound moment of "The Archangel Gabriel leaving the family of Tobias" painted by Rembrandt Harmensz. van Rijn in 1637. The oil on wood masterpiece, measuring 66x52 cm, is housed in the Louvre Museum in Paris, France. In this biblical scene from the Old Testament book of Tobit, we witness a miraculous event that embodies faith and divine intervention. The archangel Gabriel stands at the center, his majestic wings unfurled as he prepares to depart from Tobias and his family. Their faces reflect a mixture of amazement and shock as they come to terms with what has just transpired. Rembrandt's meticulous brushwork brings forth an array of emotions within this composition. The restoration of sight for Tobit through divine guidance serves as a powerful symbol for Christianity's belief in miracles and God's presence in our lives. The Flemish artist masterfully portrays the guardian angel's departure with an ethereal glow surrounding him, emphasizing his celestial nature. As viewers gaze upon this painting, they cannot help but be drawn into its narrative and experience their own sense of surprise and wonderment. Through capturing this significant religious moment with such skillful detail, Rembrandt invites us to contemplate themes of faith, spirituality, and human vulnerability. This timeless artwork continues to inspire awe centuries after its creation while reminding us that even amidst darkness or blindness, there is always hope guided by heavenly forces beyond our comprehension.

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