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Cushion : The Anglo-Portuguese Boundary Commission, South Africa (engraving)
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The Anglo-Portuguese Boundary Commission, South Africa (engraving)
1603672 The Anglo-Portuguese Boundary Commission, South Africa (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: The Anglo-Portuguese Boundary Commission, South Africa. Illustration for The Illustrated London News, 29 October 1892.
R Caton Woodville); Look and Learn / Illustrated Papers Collection
Media ID 22548758
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Beira Dwellings Zimbabwe English Camp
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> William Heysham (after) Overend
EDITORS COMMENTS
This print captures the essence of the Anglo-Portuguese Boundary Commission in South Africa during the late 19th century. The engraving, created by Richard Caton Woodville II and featured in The Illustrated London News, offers a glimpse into this historical event that shaped the region's borders. In this image, we are transported to an English camp nestled amidst native rest sheds. These traditional tribal dwellings provide a stark contrast against the temporary observatory set up by the commission. As members of the commission work diligently to demarcate boundaries between Angola and Zimbabwe, known as Mendigo Village at that time, their presence is felt throughout. The scene is alive with activity as Massi Kessi tribespeople from Beira engage with members of the commission. The interaction between cultures is evident as they exchange knowledge and experiences while working towards a common goal. Woodville's attention to detail brings this momentous occasion to life. Each stroke of his engraving highlights not only the physical landscape but also captures the spirit of collaboration and exploration that defined this boundary commission. This print serves as a testament to both historical significance and artistic mastery. It invites us to reflect on how these moments shape our understanding of nations' borders while appreciating Woodville's skillful portrayal of cultural diversity within South Africa's rich tapestry.
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