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Cushion : Poster advertising Die Fledermaus by Johann Strauss the Younger, for a
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Poster advertising Die Fledermaus by Johann Strauss the Younger, for a
XAM79050 Poster advertising Die Fledermaus by Johann Strauss the Younger, for a performance at the Vienna State Opera House, 28th October 1894 (litho) by Austrian School, (19th century); Gesellschaft der Musikfreunde, Vienna, Austria; (add.info.: Johann Strauss II (1825-99), Austrian composer; ); Austrian, out of copyright
Media ID 12819203
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Imperial Eagle Operetta Viennese
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Image Size (if not cropped) is 35.4cm x 40cm (13.9" x 15.7")
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black and white lithograph transports us back to the grandeur of 19th-century Vienna. The poster advertises a performance of "Die Fledermaus" by Johann Strauss the Younger, one of Austria's most celebrated composers. The focal point of the image is the majestic Vienna State Opera House, standing proudly against a cloudy sky. Its impressive architecture serves as a testament to the city's rich cultural heritage. The date, 28th October 1894, is prominently displayed at the bottom, reminding us that this was an event not to be missed. Intriguingly, an imperial eagle hovers above the opera house in this advertisement. Symbolizing power and authority, it adds an air of regality to the composition. This detail hints at how deeply intertwined music and politics were during this era. The operetta itself, known as "The Bat" is depicted through comic illustrations surrounding the central scene. These playful images give us a glimpse into what audiences could expect from this lively production. Overall, this lithograph captures both the elegance and entertainment value associated with Viennese culture in the late 19th century. It invites viewers to immerse themselves in a world where music reigns supreme and where artistry flourishes within ornate concert halls like those found in Vienna's esteemed State Opera House.
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