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Mark Of Approval
1st April 1939: Tramp, John Walpole, draws a chalk cross on the wall of a farmhouse where they gave him food. A mark to remind himself when he passes that way again that they treated him well. Original Publication: Picture Post - 115 - The Life Of A Tramp - pub. 1939 (Photo by Felix Man/Picture Post/Getty Images)
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Felix Man
Media ID 11818004
1930 1939 Cross England Black Farmhouse Food Homelessness Landscape Male Back Nitrate Pencil Drawing Poverty Rear View Signs And Symbols Single Social Issues Tramp Wall Chalk Drawing Drawing Art Product Lifestyles
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Picture Post, Premier British News
> Felix H. Man - Picture Post Prints
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EDITORS COMMENTS
Mark Of Approval: A poignant reminder of kindness in a world of hardship. In this photograph taken on 1st April 1939, we witness the simple yet profound act of gratitude by a tramp named John Walpole. Standing against the backdrop of an English farmhouse, he delicately draws a chalk cross on its weathered wall as a mark to remember the generosity shown to him. The image captures not only the physical marking but also the resilience and dignity that can be found amidst adversity. John's gesture serves as a symbol for all those who wander through life seeking solace and sustenance, leaving behind traces of their existence in hopes that they will be remembered with compassion. Felix Man's masterful composition emphasizes both the individuality and universality of this moment. The landscape format allows us to take in not only John's back view but also his surroundings - signifying the nomadic nature of his existence. The stark contrast between light and shadow further enhances our understanding of his struggle against poverty and homelessness. This photograph is more than just an archival record; it is a timeless work of art that speaks volumes about social issues such as inequality and human connection. It invites us to reflect upon our own capacity for empathy and reminds us that even small acts can leave lasting impressions on others' lives.
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