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Cushion : A Malthusian view of an overcrowded London, England, of the future. Etching by George Cruikshank after the writings of Thomas Malthus, 1851
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A Malthusian view of an overcrowded London, England, of the future. Etching by George Cruikshank after the writings of Thomas Malthus, 1851
CRUIKSHANK: LONDON, 1851.
A Malthusian view of an overcrowded London, England, of the future. Etching by George Cruikshank after the writings of Thomas Malthus, 1851
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Media ID 10717132
1851 Balloon Cruikshank Etching George London Political Robert Union Jack Victorian Malthus Overpopulation
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This etching by George Cruikshank, created in 1851, offers a thought-provoking glimpse into a future London plagued by overpopulation. Inspired by the writings of Thomas Malthus, an influential economist and demographer of his time, the artwork presents a Malthusian view of England's capital city. In this dystopian vision, London is depicted as an overcrowded metropolis teeming with people. The artist skillfully captures the chaos and congestion that arise from excessive population growth. Every inch of space seems to be occupied; streets are crammed with bustling crowds while buildings tower above them like monolithic giants. Cruikshank's attention to detail is remarkable as he portrays various social classes coexisting amidst this urban frenzy. From wealthy individuals leisurely observing the scene from their balconies to working-class citizens struggling through cramped alleyways, each figure represents a different facet of Victorian society. The presence of political symbols adds another layer of meaning to the artwork. The Union Jack flag prominently displayed suggests that these issues are not limited to London alone but have wider implications for the nation as a whole. Overall, this etching serves as both a warning and commentary on the consequences of unchecked population growth in industrialized societies. It prompts viewers to reflect on how such conditions may impact social order and quality of life if left unaddressed.
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