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Cushion : PHYSIOGNOMY, 1533. Hair of a homely man (left), and beard of a ruthless man. Woodcut
Home Decor from Granger
PHYSIOGNOMY, 1533. Hair of a homely man (left), and beard of a ruthless man. Woodcut
PHYSIOGNOMY, 1533.
Hair of a homely man (left), and beard of a ruthless man. Woodcut, 1533, from Bartolommeo Cocles Physiognomonia
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12407826
1533 Bartolommeo Cocle Face Hair Physiognomonia Physiognomy Ugly Cocles Ruthless
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from Granger Art on Demand showcases a woodcut titled "Physiognomy, 1533". The image features two distinct facial features - the hair of a homely man on the left and the beard of a ruthless man. Created by Bartolommeo Cocles during the Renaissance period, this woodcut offers an intriguing glimpse into the study of physiognomy. In this intricate artwork, we are presented with contrasting characteristics that were believed to reveal one's inner nature. The hair of the homely man portrays simplicity and perhaps even vulnerability, while the beard of the ruthless man exudes power and dominance. These visual cues invite us to ponder how physical attributes can shape our perceptions and judgments about individuals. The detailed craftsmanship evident in this woodcut transports us back to early Renaissance times when physiognomy was considered a legitimate science. It reminds us that throughout history, people have sought ways to decipher human character through external appearances. As we gaze upon this thought-provoking print, let us reflect on our own biases and preconceived notions based solely on physical appearance. Perhaps it serves as a reminder that true understanding lies beyond surface-level observations, urging us to delve deeper into each person's unique story rather than relying solely on outward impressions.
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