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Cushion : Arthur Roberts, British actor, comedian and music hall entertainer, 1888. Artist: Ernest Barraud
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Arthur Roberts, British actor, comedian and music hall entertainer, 1888. Artist: Ernest Barraud
Arthur Roberts, British actor, comedian and music hall entertainer, 1888. A photograph from The Theatre, A Monthly Review, Volume XII, July to December, 1888, Strand Publishing Company, London, 1888
Heritage Images features heritage image collections
Media ID 14955108
© The Print Collector
Arthur Barraud Comedian Comedy Entertainer Ernest Ernest Barraud Glasses Music Hall Print Collector28 Roberts Spectacles
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Arthur Roberts, a renowned British actor, comedian, and music hall entertainer in 1888. The artist behind this masterpiece is Ernest Barraud, whose talent beautifully immortalized Roberts' charismatic presence. Roberts stands confidently before us, wearing his signature hat and spectacles that add an air of sophistication to his ensemble. His theatrical costume reflects the vibrant world of arts and entertainment he thrived in. As we gaze upon him, we are transported back to the Victorian era when stage performances were at their peak. With a mischievous glint in his eyes and a subtle smile on his lips, Roberts exudes both charm and wit - qualities that made him beloved by audiences across Britain. This portrait encapsulates the spirit of comedy as it was during the 19th century. The monochrome aesthetic adds depth to the image while emphasizing every detail on Roberts' face - from his expressive eyebrows to the lines etched by years spent perfecting his craft. It's evident that this photograph was taken with great care and admiration for its subject. As we admire this remarkable piece from The Theatre magazine's collection published by Strand Publishing Company in London, we can't help but feel connected to a time long gone yet forever preserved through artistry like Barraud's lens captured here.
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