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Cushion : Deficiency. - Surplus. 1836. Creator: John Doyle
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Deficiency. - Surplus. 1836. Creator: John Doyle
Deficiency. - Surplus. 1836. Satirical caricature of British politicians Thomas Spring Rice, 1st Baron Monteagle of Brandon (1790-1866), Chancellor of the Exchequer, and James Pattison (1786-1849), Governor of the Bank of England. From " Political sketches of H.B.", no 445
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Media ID 18281658
© The Print Collector / Heritage-Images
1st Baron Monteagle Of Brandon Balance Bank Bank Of England Baron Monteagle Of Brandon Chancellor Of The Exchequer Doyle Economy John Doyle Member Of Parliament Overweight Pattison Rice Skinny Surplus Thomas Spring Rice Top Hat Tophat Deficiency
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Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Deficiency. - Surplus. 1836 - A Satirical Caricature of British Politicians
EDITORS COMMENTS
. This photo print, titled "Deficiency. - Surplus. 1836" captures a moment of political satire created by John Doyle in his series "Political sketches of H. B". The caricature portrays two prominent figures in British politics during the 18th century, Thomas Spring Rice and James Pattison. In this comical portrayal, we see Thomas Spring Rice, the Chancellor of the Exchequer, depicted as an overweight gentleman with a top hat and extravagant clothing symbolizing excess and surplus. On the other hand, James Pattison, Governor of the Bank of England, is portrayed as a skinny figure wearing simple attire that represents deficiency or lack. Doyle's artistic skills shine through this lithograph engraving as he cleverly uses visual cues to comment on economic matters and political power dynamics prevalent at that time. Through exaggerated physical attributes and contrasting appearances between these statesmen, Doyle highlights their differing approaches towards finance and trade. The humor embedded within this satirical piece invites viewers to reflect upon the delicate balance required for effective governance in matters concerning economics and national wealth distribution. It serves as a reminder that even those entrusted with managing financial affairs can fall prey to either excessive spending or inadequate resource allocation. As we admire this historic print today, it offers us insight into both the political climate of 19th-century Britain and timeless human tendencies when it comes to handling fiscal matters – striking
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