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Cushion : The Departure from the Coast, or the End of the Farce of Invasion, October 1, 1805
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The Departure from the Coast, or the End of the Farce of Invasion, October 1, 1805
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Media ID 19984616
© Heritage Art/Heritage Images
1st Consul Bonaparte Bonaparte Bonaparte General Bonaparte Napoleon Bonaparte Napoleon L Emperor Of France Bonaparte The Corsican Boney Buonaparte Channel Donkey Emperor Napoleon English Channel Firs First Consul Bonaparte General Bonaparte Iron Lion Napoleon Napoleon 1 Napoleon 1st Napoleon Bonaparte Napoleon Bonaparte I Napoleon Buonaparte Napoleon I Napoleone Di Buonaparte Napoleonic Wars Pissing Rowlandson Rowlandson Thomas Thomas Rowlandson Urinating Hand Tinted
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Departure from the Coast, or the End of the Farce of Invasion, October 1,1805
EDITORS COMMENTS
is a vibrant and satirical print by Thomas Rowlandson that captures a pivotal moment in history. Depicting Napoleon Bonaparte as he prepares to leave the English Channel after his failed attempt to invade Britain, this artwork offers a humorous commentary on politics and power. In this hand-colored etching, we see Napoleon portrayed as a donkey-headed figure riding an iron lion. The absurdity of this image reflects Rowlandson's mockery of Bonaparte's ambitions and perceived arrogance. Surrounding him are various politicians and military figures who appear both amused and relieved at his departure. The composition is filled with witty details that add depth to the narrative. From the iconic British crown placed atop Napoleon's head to the people urinating into the Channel in jest, every element contributes to creating a sense of farce surrounding this historical event. Rowlandson's use of color adds vibrancy and liveliness to the scene, enhancing its comedic effect. The artist masterfully combines satire with political commentary, highlighting how even powerful leaders can be subject to ridicule. This print serves as both entertainment and social critique, offering viewers an opportunity to reflect on larger themes such as nationalism, ambition, and international relations. "The Departure from the Coast" remains an important piece within Rowlandson's body of work for its artistic skill and insightful portrayal of historical events during one of Europe's most turbulent periods -the Napoleonic Wars.
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