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Cushion : Enraged Vicar, March 1, 1807. March 1, 1807. Creator: Thomas Rowlandson
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Enraged Vicar, March 1, 1807. March 1, 1807. Creator: Thomas Rowlandson
Enraged Vicar, March 1, 1807
Heritage Images features heritage image collections
Media ID 19986986
© Heritage Art/Heritage Images
Angry Churchman Clergy Clergyman Cleric Formal Fox Hunting Foxhound Foxhounds Foxhunting Parson Rowlandson Rowlandson Thomas Sign Thomas Rowlandson Topiary Trampling Trespassing Vicar Hand Tinted Trespasser
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Enraged Vicar, March 1,1807 - A Glimpse into the Ecclesiastical Fury of Old Britain
EDITORS COMMENTS
. In this print by Thomas Rowlandson, we are transported back to the early 19th century and witness a scene that is both comical and thought-provoking. The image captures an enraged vicar amidst a picturesque garden setting, surrounded by his faithful foxhounds and majestic horses. The focal point of the artwork is undoubtedly the furious clergyman himself. With his face contorted in anger and his hand raised high in protest, he confronts an unseen trespasser who has dared to disturb the sanctity of his domain. The vicar's righteous indignation is palpable as he stands tall against any encroachment on church grounds. Rowlandson's masterful use of color adds depth and vibrancy to this etching. The lush greenery of the garden provides a striking contrast to the vivid red coat worn by the incensed cleric. Meanwhile, meticulously rendered details such as topiary sculptures add an air of formality to this otherwise chaotic moment. Beyond its aesthetic appeal, "Enraged Vicar" offers us a glimpse into British society during a time when religion played a prominent role in people's lives. It invites contemplation on themes like authority, propriety, and devotion within Christianity. Preserved at The Metropolitan Museum of Art, this piece serves as a testament to Rowlandson's skill as an
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