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Cushion : Green Woodpecker, 1852, (1942). Creators: Francis Orpen Morris, Richard Alington
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Green Woodpecker, 1852, (1942). Creators: Francis Orpen Morris, Richard Alington
Green Woodpecker, 1852, (1942). From " History of British Birds" by Francis Orpen Morris. Published in " The Birds of Britain, by James Fisher. [Collins, London, 1942]
Heritage Images features heritage image collections
Media ID 19777846
© The Print Collector/Heritage Images
Beak Britain In Pictures Collins Feather Feathers Fisher Francis Orpen Francis Orpen Morris James Fisher James Maxwell Mcconnell James Maxwell Mcconnell Fisher Morris Natural History Ornithology Plumage Reverend Francis Orpen Morris Richard Social History Wildlife William Collins William Collins And Sons William Collins Sons Woodpecker Zoology Alington Green Woodpecker
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite beauty of a Green Woodpecker, captured in 1852 and reproduced in 1942. The creators behind this remarkable piece are Francis Orpen Morris and Richard Alington, who collaborated on "History of British Birds" published within "The Birds of Britain" by James Fisher. The image transports us to the English countryside, where this magnificent bird resides. Its vibrant plumage is a testament to nature's artistry, with shades of green blending harmoniously with its surroundings. The woodpecker's beak stands out prominently, perfectly adapted for drilling into tree trunks in search of insects. As we delve into the history surrounding this print, it becomes evident that it holds significance not only as an artistic representation but also as a scientific document. It serves as a valuable resource for zoologists and ornithologists studying avian species during the 19th and 20th centuries. Beyond its scientific value, this print offers glimpses into social history. Published by William Collins & Sons under their series "Britain in Pictures" it reflects how wildlife appreciation was intertwined with cultural heritage during the mid-20th century. In essence, this print encapsulates both natural beauty and historical importance. It invites us to marvel at the wonders of British birds while reminding us of our connection to the past through art and science.
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