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Cushion : The Scapegoat, 1856, (c1950). Creator: William Holman Hunt
Home Decor from Heritage Images
The Scapegoat, 1856, (c1950). Creator: William Holman Hunt
The Scapegoat, 1856, (c1950). Scene inspired by the Bible: a goat on the salty shore of the Dead Sea at Osdoom with the mountains of Edom in the distance. The scapegoat embodies the sins of the congregation - Hunt saw the Old Testament scapegoat as a parallel to the New Testament Christ whose suffering and death similarly expunged the sins of humans. Painting in the Lady Lever Art Gallery, Liverpool. From The Outline of Art, edited by Sir William Orpen. [George Newnes Limited, London, c1950]
Heritage Images features heritage image collections
Media ID 15515790
© The Print Collector / Heritage-Images
1950s Artistic Style Dead Sea Fifties Goat Goats Holman Holman Hunt Holy Land Hunt Pre Raphaelite Brotherhood William Holman William Holman Hunt Scapegoat
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases William Holman Hunt's iconic painting, "The Scapegoat" created in 1856 and reproduced around the 1950s. Inspired by a biblical scene, the artwork depicts a solitary goat standing on the desolate shores of the Dead Sea at Osdoom, with the majestic mountains of Edom stretching into the distance. In this powerful image, Hunt symbolically portrays the scapegoat as embodying the sins of an entire congregation. Drawing parallels between this Old Testament concept and New Testament teachings, he highlights how Christ's suffering and death served to expunge humanity's transgressions. Displayed within Liverpool's Lady Lever Art Gallery, this oil painting is a testament to Hunt's mastery as a member of the Pre-Raphaelite Brotherhood. The intricate details and vibrant colors bring life to both landscape and animal subjects alike. Transporting viewers to Holy Land landscapes through his brushstrokes, Hunt captures not only geographical features but also emotions tied to sin and redemption. The goat stands alone against nature's harsh elements—a poignant reminder of mankind’s capacity for wrongdoing. As we contemplate this remarkable piece from our rich artistic heritage, it serves as a timeless reminder that even in our darkest moments or deepest regrets, there is hope for forgiveness and renewal.
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