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Cushion : Self-portrait, 1782. Artist: Elisabeth Louise Vigee-LeBrun
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Self-portrait, 1782. Artist: Elisabeth Louise Vigee-LeBrun
Self-portrait, 1782. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow
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Media ID 14854929
© Fine Art Images
Elisabeth Elisabeth Louise Elisabeth Louise Vigee Elisabeth Louise Vigee Lebrun Elizabeth Elizabeth Louise Elizabeth Louise Vigee Lebrun Feather Feathers Le Brun Louise Elisabe Paint Palette Rococo Era Self Portrait Straw Hat Vigee Lebrun
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This self-portrait, created in 1782 by the talented artist Elisabeth Louise Vigee-LeBrun, showcases her immense skill and artistic prowess. The painting is currently housed in the esteemed State A Pushkin Museum of Fine Arts in Moscow. In this exquisite piece, Vigee-LeBrun presents herself as a confident and elegant woman of the 18th century. She holds a delicate bouquet of flowers, symbolizing her connection with nature and perhaps hinting at her love for botanical subjects in her artwork. Her attire reflects the fashion trends of that era, with a straw hat adorned with feathers adding an extra touch of sophistication to her ensemble. Vigee-LeBrun's mastery is evident not only in capturing intricate details but also in conveying emotions through brushstrokes. Her expression exudes poise and determination while maintaining a sense of softness and grace. As one explores this self-portrait further, it becomes clear that Vigee-LeBrun was not just an artist but also a trailblazer for women pursuing careers in art during that time. Breaking societal norms, she established herself as one of the most sought-after portrait painters of French high society. This remarkable oil painting serves as both a testament to Vigee-LeBrun's talent and an important representation of female artists' contributions to the art world during the Rococo era. It stands as a reminder that creativity knows no boundaries when passion meets skillful execution.
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