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Cushion : The Smiths Yard, 1895. Artist: James Abbott McNeill Whistler
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The Smiths Yard, 1895. Artist: James Abbott McNeill Whistler
The Smiths Yard, 1895. From The Studio Volume 95. [London Offices of the Studio, London, 1928]
Heritage Images features heritage image collections
Media ID 14965938
© The Print Collector
Apprentice Blacksmith Doorway Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Studio Publications Studio Volume 95 Whistler Yard
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black and white lithograph, titled "The Smiths Yard, 1895" by renowned artist James Abbott McNeill Whistler, takes us back to a bustling scene in the late 19th century. The print showcases two men standing outdoors in front of a doorway, surrounded by the tools and equipment of their trade. One man appears to be the master blacksmith while the other is likely his young apprentice. Whistler's attention to detail brings this moment from history to life. The monochrome palette adds a sense of timelessness and emphasizes the textures and shapes within the composition. The print captures not only the physical labor involved in blacksmithing but also conveys a glimpse into an era when skilled tradesmen were highly regarded for their craftsmanship. As we observe these figures against the backdrop of their yard, we can almost hear the rhythmic sounds of hammer hitting metal as they shape it with precision and skill. Their focused expressions reveal dedication to their craft, highlighting both pride and determination. "The Smiths Yard" serves as a testament to Whistler's ability to capture everyday scenes with artistic flair. This lithograph was originally published in "The Studio Volume 95" in London during 1928, showcasing Whistler's enduring influence on art even decades after his passing. This print transports us back over a century ago, allowing us to appreciate not only Whistler's talent but also gain insight into an important profession that played an integral role in shaping our industrialized
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