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Cushion : The Zenana, 1847. Artist: Bonner
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The Zenana, 1847. Artist: Bonner
The Zenana, 1847. The zenana is the area in which women are secluded in some Hindu and Muslim families. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)
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Media ID 14935450
© The Print Collector / Heritage-Images
Bonner Corner Harem Hindu Hinduism Hookah Huqqa Huqqa Pipe Julia Julia Corner Julia Parley Lovechild Miss Corner Miss Julia Moslem Muslim Parley Separation Solomon Solomon Lovechild Thomas Lovechild Thomas Parley Hindoostan Zenana
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "The Zenana" and created by Bonner in 1847, offers a glimpse into the secluded world of Hindu and Muslim women during the 19th century. The zenana, depicted here as an interior space, served as a place of separation for females within certain religious families in India. This engraving was featured in "The History of China and India" authored by Miss Julia Corner and published by Dean and Co. , London. In this evocative scene, we witness a lady from the zenana indulging in the traditional act of smoking a huqqa pipe. The careful attention to detail captures both her serene demeanor and the intricate design of her surroundings. The artist's monochrome technique adds depth to this nineteenth-century illustration while emphasizing its historical significance. "The Zenana" print not only provides insight into the cultural practices surrounding gender segregation but also serves as a testament to religious customs prevalent at that time. Through Bonner's artistry, we are transported back to an era where traditions such as harem living were deeply ingrained within Hinduism and Islam. As we contemplate this image today, it is essential to acknowledge its historical context without commercial intent or exploitation. Instead, let us appreciate it as an artistic representation that sheds light on diverse religious practices within different countries during the 19th century – inviting us to reflect upon our own understanding of religion, culture, and gender roles throughout history.
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