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Cushion : The artists wife in Renaissance dress by Fortunino Matania
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The artists wife in Renaissance dress by Fortunino Matania
Ellen Jane Goldsack, known as Goldie, second wife of the Italian artist, Fortunino Matania painted wearing a sumptuous Renaissance dress and holding a prayer book in one hand. This painting is an excellent example of the lengths Matania went to, in terms of costume and props, in recreating historical period for his pictures. Date: c.1955
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Media ID 14229200
© The Estate of Fortunino Matania / Mary Evans Picture Library
Ellen Fortunino Goldie Jane Jewels Matania Modelling Pearls Posed Recreation Renaissance 15th Artists
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph print, sourced from Mary Evans Prints Online, showcases a portrait of Fortunino Matania's wife, Ellen Jane Goldsack, also known as Goldie, dressed in an exquisite Renaissance gown. The Italian artist, renowned for his meticulous attention to historical detail, expertly captured his wife's likeness in the rich and ornate attire of the 15th or 16th century. Goldie gracefully holds a prayer book in one hand, adding an air of piety and reverence to the image. Fortunino Matania's dedication to authenticity is evident in the sumptuous costume and intricate props used to recreate the historical period. The Renaissance dress, adorned with lush fabrics, intricate embroidery, and precious jewels, transports us back in time. Goldie's pearl necklace, shimmering against her elegant collar, adds a touch of opulence to the portrait. The artist's mastery of capturing the essence of a bygone era is a testament to his passion for history and art. This portrait, painted around 1955, is an excellent example of Matania's commitment to authenticity and his ability to transport his audience to another time and place. The image invites us to ponder the lives of the women of the Renaissance, their faith, and their grace, as we marvel at the beauty and intricacy of the costume and setting.
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