Cushion : The Calling of St Matthew, 1621, by Hendrick ter Brugghen (1
Home Decor from Mary Evans Picture Library
The Calling of St Matthew, 1621, by Hendrick ter Brugghen (1
Hendrick ter Brugghen (1588-1629). Dutch painter. The Calling of St Matthew, 1621. Centraal Museum. Utrecht. Netherlands
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Media ID 14335274
© Thaliastock / Mary Evans
1621 Bearded Calling Centraal Dramatic Elderly Glasses Hendrick Matthew Moment Netherlandish Netherlands Utrecht Brugghen Terbrugghen
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
The Calling of St. Matthew,
EDITORS COMMENTS
painted by Hendrick ter Brugghen in 1621, is a captivating masterpiece housed at the Centraal Museum in Utrecht, Netherlands. This Netherlandish painting, a testament to the artistic brilliance of the 17th century, depicts a dramatic and intriguing scene from the life of St. Matthew. At the center of the composition, St. Matthew, an elderly man with a long white beard and glasses, sits at a table, absorbed in the pages of a book. His serious expression and introspective gaze convey a sense of deep contemplation. Suddenly, the moment is interrupted as two bearded men, dressed in modern attire, approach him from the left. One man, gesturing towards Matthew with a finger, calls out to him, while the other looks on with a curious expression. The contrast between the quiet, contemplative scene and the sudden, unexpected intrusion creates a sense of tension and anticipation. The use of dramatic lighting, with the sun casting long shadows on the figures, adds to the overall sense of drama and intensity. This painting is a prime example of the historical and religious themes that were popular during the Dutch Golden Age. The story of St. Matthew's calling is a familiar one in Christian tradition, but ter Brugghen's interpretation brings a fresh and modern perspective to the tale. The use of realistic, contemporary figures in the painting adds a sense of familiarity and accessibility, making this a timeless work of art that continues to captivate and inspire viewers today.
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