Cushion : Francisco Goya (1746-1828). Caprices. Plaque 20. There they
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Francisco Goya (1746-1828). Caprices. Plaque 20. There they
Francisco Goya (1746-1828). Caprices. Plaque 20. There they go plucked. Prado Museum. Madrid
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Media ID 14337128
© Thaliastock / Mary Evans
1797 1798 Caprices Criticism Critique Fantasies Francisco Goya Painter Plaque Plucked Prado Romantic Romanticism Satira Takeoff
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Francisco Goya (1746-1828), a Spanish painter and printmaker, is renowned for his innovative and provocative works that challenged societal norms of his time. This print, titled "Caprices. Plaque 20: There they go plucked," is a prime example of his satirical and critical commentary on the human condition. Created during the late 18th and early 19th centuries, this engraving is part of Goya's series of Caprices, a collection of fantasies and social critiques. The image depicts a group of women, seemingly oblivious to the fact that they are being plucked like ripe fruit from a tree by unseen hands. The women's expressions range from indifference to delight, suggesting a complex commentary on the role of women in society and the acceptance of their subjugation. The use of the tree as a metaphor for societal norms and the women as the fruits of that tree, ripe for the picking, adds an additional layer of meaning to the work. Goya's Caprices were created during a tumultuous period in Spanish history, marked by the Peninsular War and the subsequent political upheaval. The artist's biting satire and critique of society were not well-received during his lifetime, and it was only after his death that his works gained widespread recognition. Today, the Prado Museum in Madrid houses a significant collection of Goya's Caprices, including this print, which continues to challenge and inspire viewers with its raw and unflinching commentary on human nature and society.
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