Cushion : Gambetta / Trombinoscope
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Gambetta / Trombinoscope
LEON MICHEL GAMBETTA French lawyer and statesman: a satirical depiction
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 620667
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10073955
1838 1882 Depiction Gambetta Lawyer Leon Michel Satirical
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print, titled "Gambetta / Trombinoscope," is a satirical depiction of Leon Michel Gambetta, a renowned French lawyer and statesman. The image, created in 1882, showcases Gambetta in a formal suit, with a serious expression on his face, as he gazes intently at an intriguing contraption before him. The object, labeled as a "Trombinoscope," is a fictional invention that adds an element of whimsy and intrigue to the scene. Leon Michel Gambetta was born in 1838 in Montpellier, France. He rose to prominence during the French Revolution of 1870, becoming a key figure in the establishment of the Third French Republic. Gambetta's political career was marked by his passionate speeches, which inspired the French people and helped to galvanize support for the new republic. Despite his significant contributions to French history, this satirical print offers a lighthearted take on the serious-minded statesman. The Trombinoscope, with its exaggerated size and intricate design, draws the viewer's attention away from Gambetta's formal attire and serious demeanor, inviting us to see him in a new light. The use of the Trombinoscope as a prop in this print is likely a reference to the popular fascination with scientific inventions and innovations during the late 19th century. The print's satirical nature underscores the cultural shift towards a more lighthearted and playful approach to politics and public figures, even as the world around them underwent significant political and social change. This print is a testament to the enduring power of satire as a means of engaging with history and the complex figures who shape it. With its intriguing composition and thought-provoking subject matter, it continues to captivate and delight viewers more than a century after it was created.
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