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Bystander cover - Marchioness of Headfort
The Marchioness of Headfort, formerly known to playgoers as Miss Rose (Rosie) Boote of the Gaiety Theatre, London. She married the Marquess in April 1901, and her son became the Earl of Bective. One of a number of stage actresses during the Edwardian era who married into the peerage. Pictured on the front cover of The Bystander at the time her daughter, Lady Millicent Taylour married Henry Tiarks at Westminster Abbey. Date: 1930
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Media ID 23268658
© Illustrated London News Ltd/Mary Evans
Actresses Aristocracy Boote Bystander Covers Gaiety Headfort Jul19 Marchioness Rosie Shawl
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Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Image Size (if not cropped) is 28.6cm x 40cm (11.3" x 15.7")
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph, featured on the cover of The Bystander magazine in 1930, showcases the elegant and graceful Marchioness of Headfort, formerly known as Rosie Boote, a beloved actress from the Gaiety Theatre in London. Rosie made her mark on the Edwardian stage, enchanting audiences with her charisma and talent. In an unexpected turn of events, she married the Marquess of Headfort in April 1901, becoming a member of the aristocracy. The Marchioness's life took another exciting turn when her daughter, Lady Millicent Taylour, married Henry Tiarks at the revered Westminster Abbey. This joyous occasion was commemorated on the front cover of The Bystander, highlighting the connection between the worlds of theatre and aristocracy. Dressed in an elegant shawl, the Marchioness exudes an air of sophistication and poise, reflecting the refined elegance of the era. This evocative portrait is a testament to the extraordinary life of a woman who defied expectations and left an indelible mark on both the stage and the aristocracy. The Bystander's cover, with its striking image of the Marchioness, offers a glimpse into the past, transporting us to a time of elegance, glamour, and the intersection of two seemingly disparate worlds. This photograph is a treasure trove of history, offering a unique perspective on the lives of stage actresses during the Edwardian era who married into the peerage.
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