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Huntsman jumping a fence and interfering with
Huntsman jumping a fence on an old nag and interfering with the pack of hounds. Facey Romford irritating Jonathan Lotherington during a hunt. Romford disturbs the dignity of his Hunt. Handcoloured steel engraving after an illustration by John Leech from Robert Smith Surtees Mr. Facey Romfords Hounds, Bradbury, Evans and Co. London, 1865. Leech (1817-1864) was an English caricaturist and illustrator best known for his work for Punch magazine
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Media ID 23388584
© Florilegius
Billiard Bloomer Bloomerism Bloomers Coffee Comical Constantia Feminism Fence Garments Gentleman Gout Hallway Handley Humor Hunt Huntsman Invalid Jorrockss Jumping Leech Reform Rooms Surtees Talk Trout Wheelchair Interfering Smith
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Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
1. Title: "A Scandalous Interference: Facey Romford's Unruly Antics at the Hunt" This handcoloured steel engraving, created by the renowned English caricaturist and illustrator John Leech, depicts an intriguing scene from Robert Smith Surtees' novel "Mr. Facey Romford's Hounds." In the image, a daring Huntsman, identified as Facey Romford, is seen leaping over a high fence on the back of an old, lame horse, while simultaneously interfering with the pack of hounds. The expression of irritation on the face of the gentleman in the wheelchair, Jonathan Lotherington, suggests that Romford's actions are not only disruptive but also unwelcome. The Victorian-era hallway in the background, adorned with ornate furnishings and a billiard room, adds an air of sophistication to the scene. The contrast between the formal setting and Romford's unruly behavior creates a comical and humorous juxtaposition. In the crowd, a young woman in bloomers and a Turkish dress, likely a symbol of the feminist and reformist fashion trends of the time known as "bloomerism," observes the scene with a smirk. Sir Thomas Trout, Constania Mendlove, and other hunt members look on in disbelief. The intricate details of the handcoloured steel engraving, reminiscent of the 19th century, bring the vivid scene to life, transporting us back in time to an era of change and transformation. The caricature's comical and humorous portrayal of Romford's antics offers a fascinating glimpse into the social norms and values of the Victorian era.
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