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Samuel Coleridge Taylor - Classical Composer



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Samuel Coleridge Taylor - Classical Composer

Samuel Coleridge Taylor (1875-1912) - Classical Composer. Professor at the Crystal Palace School of Music and conducted the orchestra at the Croydon Conservatoire. After Coleridge-Taylors death in 1912, musicians were concerned that he and his family had received no royalties from what was one of the most successful and popular works written in the previous 50 years. His case contributed to their formation of the Performing Rights Society, an effort to gain revenues for musicians through performance as well as publication and distribution of music Date: circa 1906

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 11581123

© Mary Evans / Grenville Collins Postcard Collection

Coleridge Composer Conductor Conservatoire Croydon Crystal Musician Royalties Samuel Taylor Performing Rights


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Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Image Size (if not cropped) is 25.9cm x 40cm (10.2" x 15.7")

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Europe > United Kingdom > England > London > Boroughs > Croydon


EDITORS COMMENTS
This photograph captures the enigmatic figure of Samuel Coleridge-Taylor (1875-1912), a groundbreaking classical composer and conductor of English and African descent. Born in London, Coleridge-Taylor studied at the Crystal Palace School of Music and later conducted the orchestra at the Croydon Conservatoire. His innovative blend of European classical music and African rhythms produced works of extraordinary beauty and popularity, most notably his "Hiawatha's Lament" and "The Death of Absalom." Unfortunately, despite the success of his compositions, Coleridge-Taylor and his family received no royalties from their performances. This injustice became a significant concern for musicians in the early 20th century, leading to the formation of the Performing Rights Society in 1914. This organization aimed to secure revenues for musicians through the performance of their works, not just through publication and distribution. The photograph, taken around 1906, showcases Coleridge-Taylor's striking presence and the deep concentration in his eyes, reflecting his dedication to his craft. The image serves as a poignant reminder of his significant contributions to classical music history and the ongoing efforts to ensure fair compensation for musicians' creative works.

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