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Cushion : My Studio by Fortunino Matania

My Studio by Fortunino Matania



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My Studio by Fortunino Matania

Self-portrait of the Italian artist, Fortunino Matania (1881-1963) pictured at work in his studio at 104 Priory Road, Hampstead, London. Date: c.1955

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14229364

© The Estate of Fortunino Matania / Mary Evans Picture Library

Backdrop Fortunino Hampstead Matania Modelling Priory Props Reproduction Artists


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This self-portrait by Fortunino Matania, titled "My Studio," offers a rare glimpse into the world of this renowned Italian artist during his later years. Painted around 1955, the image finds Matania seated at his easel in his studio located at 104 Priory Road in the artistic enclave of Hampstead, London. The room is filled with the paraphernalia of an artist's life: brushes, palette, paint tubes, and a smock draped over a chair. The backdrop, adorned with classical motifs, reveals Matania's affinity for historical and mythological themes that characterized his oeuvre. The artist's intense gaze is focused on the canvas before him, while his hands deftly manipulate the bristles of his brush. The intricate details of the painting, from the folds of his costume to the textures of the props, attest to Matania's mastery of the medium. The presence of a mannequin dressed in a 16th-century costume in the corner of the studio suggests that the artist was engaged in the meticulous process of creating a detailed study for a future work. Matania's studio, much like his art, was a testament to his passion for history and the human form. This self-portrait not only serves as an intimate record of the artist at work but also offers a glimpse into the rich artistic legacy of Hampstead, a place that nurtured the creative spirits of countless artists throughout history.

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Related Images


Pharaohs Workers - Ancient Egypt - by Fortunino Matania
Pharaohs Workers - Ancient Egypt - by Fortunino Matania
Boadicea leading Iceni revolt by Fortunino Matania
Boadicea leading Iceni revolt by Fortunino Matania
Helen of Troy by Matania
Helen of Troy by Matania
Matania - Last Absolution of the Munsters
Matania - Last Absolution of the Munsters
Chez Vous, Venice Lido by Fortunino Matania
Chez Vous, Venice Lido by Fortunino Matania
Circus Maximus in Rome by Matania
Circus Maximus in Rome by Matania
Southport by Fortunino Matania, railway poster, c 1930s
Southport by Fortunino Matania, railway poster, c 1930s
The Cross Bearers, WW1 battlefield by Matania
The Cross Bearers, WW1 battlefield by Matania
Great Queens of the Past No 1 - Nefertiti
Great Queens of the Past No 1 - Nefertiti
The Strongest "
The Strongest "
A Concert behind the Lines by Fortunino Matania
A Concert behind the Lines by Fortunino Matania
At an Advanced Dressing Station on the Western Front, Matania
At an Advanced Dressing Station on the Western Front, Matania

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