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Whistler V Ruskin
Punch comments on the Whistler-Ruskin libel case, in which Whistler was awarded one farthing damages
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Media ID 4347706
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10140935
1878 Awarded Case Comments Damages Farthing Libel Ruskin Satirical Whistler
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This historical and satirical print captures a pivotal moment in the Whistler-Ruskin libel case of 1878. The image depicts Punch magazine's commentary on the case, in which artist James McNeill Whistler was awarded just one farthing in damages after being accused of libeling art critic John Ruskin.
The case itself was a significant event in art history, as it highlighted the tension between artistic freedom and criticism. Whistler's bold and innovative style had come under fire from Ruskin, who famously described his work as "flinging a pot of paint in the public's face." In response, Whistler sued Ruskin for libel, leading to a highly publicized trial that ultimately resulted in the symbolic award of one farthing.
Punch's commentary on the case adds an extra layer of satire to this already dramatic story. The publication was known for its witty and incisive take on current events, and their depiction of this legal battle is no exception.
Overall, this print serves as a fascinating glimpse into a key moment in art history. It reminds us of the power struggles that have always existed within the creative world, as well as the enduring legacy of artists like Whistler who were willing to fight for their vision.
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