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Cushion : Boy George from Culture Club with Mo Mowlam at a Mirror party at the Labour Conference
Home Decor from Memory Lane
Boy George from Culture Club with Mo Mowlam at a Mirror party at the Labour Conference
Boy George from Culture Club with Mo Mowlam at a Mirror party at the Labour Conference party
September 1999
Bill Rowntree
mirrorpix
Hertfordshire
United Kingdom
WA*1085226
Media ID 21300093
© Mirrorpix
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Boy George from Culture Club and Mo Mowlam - A Captivating Blend of Music and Politics
EDITORS COMMENTS
. In this print captured by Bill Rowntree, we are transported back to September 1999, during a vibrant Mirror party at the Labour Conference. The image showcases two influential figures who seamlessly merged the worlds of music and politics - Boy George from the iconic band Culture Club and Mo Mowlam. As one of the most prominent pop singers of the 1980s, Boy George's flamboyant style and soulful voice captivated audiences worldwide. However, his impact extended far beyond music as he fearlessly challenged societal norms, becoming an icon for individuality and self-expression. Mo Mowlam, on the other hand, was a renowned politician known for her charismatic personality and unwavering dedication to social justice. As a key member of Tony Blair's government in the late 1990s, she played a pivotal role in shaping British politics. Together at this Mirror party held during the Labour Conference, Boy George and Mo Mowlam symbolize an intriguing blend of entertainment and political influence. Their presence highlights how artistry can intersect with public service to create powerful moments that transcend traditional boundaries. Bill Rowntree's photograph immortalizes this unique encounter between two individuals who left indelible marks on their respective fields. It serves as a reminder that even within different realms such as music or politics, there is room for collaboration and shared experiences that inspire change.
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