Cushion : Goodwood Festival of Speed: Nick Mason: Goodwood Festival of Speed, Goodwood, England, 12-14 June 1998
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Goodwood Festival of Speed: Nick Mason: Goodwood Festival of Speed, Goodwood, England, 12-14 June 1998
Nick Mason (GBR).
Goodwood Festival of Speed, Goodwood, England, 12-14 June 1998
Motorsport Images is a photographic agency and archive covering motorsport and motoring
Media ID 2159967
© Sutton Motorsport Images
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print from the Goodwood Festival of Speed in 1998, we see Nick Mason, a renowned British musician and avid car enthusiast. The festival, held annually at the prestigious Goodwood Estate in England, is a haven for motorsport enthusiasts and showcases an array of iconic vehicles. Nick Mason's passion for cars is evident as he stands confidently amidst the backdrop of roaring engines and sleek designs. His love for speed and precision mirrors his successful career as the drummer for the legendary rock band Pink Floyd. Captured in this portrait, Mason exudes a sense of excitement and anticipation that permeates throughout the festival grounds. The image encapsulates not only his personal connection to automobiles but also pays homage to Britain's rich automotive heritage. The Goodwood Festival of Speed serves as a platform where enthusiasts gather to celebrate their shared love for all things automotive. This particular photograph captures both the essence of British culture and its deep-rooted fascination with speed and engineering excellence. As we gaze upon this remarkable image, we are transported back to that summer weekend in June 1998 when thousands gathered at Goodwood Estate to witness history being made on wheels. It reminds us that beyond music or any other art form lies an unspoken bond between man and machine—a bond that transcends time, language, or commercial interests.
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