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Cushion : Morris Townsend the penniless adventurer is introduced by Marian Almond (centre)

Morris Townsend the penniless adventurer is introduced by Marian Almond (centre)



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Morris Townsend the penniless adventurer is introduced by Marian Almond (centre)

Morris Townsend the penniless adventurer is introduced by Marian Almond (centre) to Catherine Sloper, the plain heiress he planned to marry for her money. Illustration for the serialisation of Washington Square by Henry James in The Cornhill Magazine (London, 1880)

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9753947

© Universal History Archive/Universal Images Group

1880 Adventurer Almond American Catherine Centre Cornhill Henry Introduced James Literature Magazine Money Morris Plain Planned Square Washington Heiress Marian Marry Penniless Serialisation Sloper Townsend


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this illustration from the 1880 serialisation of Henry James' novel, "Washington Square" we are transported to a pivotal moment in the story. Morris Townsend, an American penniless adventurer, stands at the center of attention as he is introduced by Marian Almond to Catherine Sloper, a plain yet wealthy heiress. The scene is filled with anticipation and intrigue as these characters come together under one roof. Morris Townsend's intentions become clear as we observe his calculated plan to marry Catherine for her money. Marian Almond's role in this introduction adds another layer of complexity to the narrative; her involvement suggests that she may be complicit or even supportive of Morris' scheme. The artist skillfully captures the essence of each character through their expressions and body language. Catherine appears somewhat reserved and cautious while Morris exudes confidence and charm. This contrast highlights their differing social statuses and sets the stage for future conflicts within their relationship. This evocative illustration not only brings Henry James' words to life but also provides us with a glimpse into late 19th-century English society. It serves as a visual reminder that love, money, power, and deception have long been intertwined themes in literature – timeless elements that continue to captivate readers today.

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