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Cushion : St Michael and St Engracia. The Archangel Michael, his foot on a devil, in one hand
Home Decor from Universal Images Group (UIG)
St Michael and St Engracia. The Archangel Michael, his foot on a devil, in one hand
St Michael and St Engracia. The Archangel Michael, his foot on a devil, in one hand holds his spear to the devils head while in the other he holds his balance for weighing mens souls. St Engracia, a nail driven into her head, holds a martyrs palm. Juan de la Abadia (active 1493-1513). Oil on wood. Private collection
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Media ID 9784479
© Universal History Archive/Universal Images Group
Active Archangel Balance Christian Collection Devil Driven Foot Hand Head Holds Juan Martyr Michael Nail Palm Private Souls Spear Weighing Wood Abadia Engracia
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the exquisite artwork of Juan de la Abadia, a talented artist active during the late 15th and early 16th centuries. Titled "St Michael and St Engracia" this oil on wood masterpiece is housed in a private collection. The focal point of this painting is the Archangel Michael, depicted with his foot triumphantly placed upon a defeated devil. In one hand, he firmly grasps his spear, poised to strike down evil forces. In the other hand, he holds a delicate balance used for weighing men's souls—a powerful symbol of judgment and divine justice. Standing beside St Michael is St Engracia, whose story is equally compelling. She bears witness to her martyrdom through a nail driven into her head—an act that demonstrates her unwavering faith and commitment to Christianity. Clutching a martyrs palm as an emblem of victory over suffering, she stands tall alongside the archangel. Juan de la Abadia's attention to detail brings these religious figures to life with vibrant colors and intricate brushwork. This profound portrayal serves as a reminder of the eternal struggle between good and evil within human existence. As we contemplate this remarkable piece of artistry, we are transported back in time—immersing ourselves in its spiritual significance while marveling at its artistic brilliance.
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