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Top Selling Pictures

Here you can see the images that are currently trending on our site, we hope they give you some inspiration

Choose a picture from our Top Selling Pictures collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Pale Blue Dot Revisited Featured Print

Pale Blue Dot Revisited

For the 30th anniversary of one of the most iconic images taken by NASA's Voyager mission, a new version of the image known as "the Pale Blue Dot." Planet Earth is visible as a bright speck within the sunbeam just right of center and appears softly blue, as in the original version published in 1990 (see PIA00452). This updated version uses modern image-processing software and techniques to revisit the well-known Voyager view while attempting to respect the original data and intent of those who planned the images. In 1990, the Voyager project planned to shut off the Voyager 1 spacecraft's imaging cameras to conserve power and because the probe, along with its sibling Voyager 2, would not fly close enough to any other objects to take pictures. Before the shutdown, the mission commanded the probe to take a series of 60 images designed to produce what they termed the "Family Portrait of the Solar System." Executed on Valentine's Day 1990, this sequence returned images for making color views of six of the solar system's planets and also imaged the Sun in monochrome. The popular name of this view is traced to the title of the 1994 book by Voyager imaging scientist Carl Sagan, who originated the idea of using Voyager's cameras to image the distant Earth and played a critical role in enabling the family portrait images to be taken. The image of Earth was originally published by NASA in 1990. It is republished here to commemorate the 30th anniversary of the Family Portrait of the Solar System (see PIA00451) and the Pale Blue Dot image in particular. The planet occupies less than a single pixel in the image and thus is not fully resolved. (The actual width of the planet on the sky was less than one pixel in Voyager's camera.) By contrast, Jupiter and Saturn were large enough to fill a full pixel in their family portrait images. The direction of the Sun is toward the bottom of the view (where the image is brightest). Rays of sunlight scattered within the camera optics stretch across the scene. One of those light rays happens to have intersected dramatically with Earth. From Voyager 1's vantage point — a distance of approximately 3.8 billion miles (6 billion kilometers) — Earth was separated from the Sun by only a few degrees. The close proximity of the inner planets to the Sun was a key factor preventing these images from being taken earlier in the mission, as our star was still close and bright enough to damage the cameras with its blinding glare. The view is a color composite created by combining images taken using green, blue and violet spectral filters by the Voyager 1 Narrow-Angle Camera. They were taken at 4:48 GMT on Feb. 14, 1990, just 34 minutes before Voyager 1 powered off its cameras forever. Like the original version, this is technically a "false-color" view, as the color-filter images used were mapped to red, green and blue, respectively. The brightness of each color channel was balanced relative to the others, which is likely why the scene appears brighter but less grainy than the original. In addition, the color was balanced so that the main sunbeam (which overlays Earth) appears white, like the white light of the Sun. At its original resolution, the newly processed color image is 666 by 659 pixels in size; this is Figure A. The main image is an enlarged version. The image was processed by JPL engineer and image processing enthusiast Kevin M. Gill with input from two of the image's original planners, Candy Hansen and William Kosmann. https://photojournal.jpl.nasa.gov/catalog/PIA23645

Barcelona Bears by Helen B Runciman Featured Print

Barcelona Bears by Helen B Runciman

Helen Runciman is a full-time professional artist based in Denny, Stirlingshire, Scotland. A LIFELONG RANGERS FAN, Helen has produced fantastic pieces of art for Rangers football club, some of which take pride of place AT THE TOP OF THE MARBLE STAIRCASE. Helen has also produced artwork which has been auctioned for both the Rangers Charity Foundation & the RANGERS SUPPORTERS Erskine appeal.

Second floodlit match at Highbury Stadium Featured Print

Second floodlit match at Highbury Stadium

Arsenal v Glasgow Rangers 17th October 1951. (The First floodlight match at Highbury was Arsenal v Hapoel Tel Aviv on 19th September 1951). Credit: Arsenal Football Club.
Floodlights were fitted in 1951, with the first floodlit match being a friendly against Hapoel Tel Aviv on 19 September of that year. The floodlights that adorn Dalymount Park, once stood at the Arsenal stadium. They were shipped to Dublin in 1962. The inaugural floodlit match saw Arsenal beat Bohemians 3–8.
Arsenal Stadium was a football stadium in Highbury, North London, which was the home ground of Arsenal Football Club between 6 September 1913 and 7 May 2006. It was mainly known as "Highbury" due to its location and was given the affectionate nickname of "The Home of Football" by the club.
It was originally built in 1913 on the site of a local college's recreation ground and was significantly redeveloped twice. The first came in the 1930s, from which the Art Deco East and West Stands date; the second in the late 1980s and early 1990s following the Taylor Report, during which the terraces at both ends of the pitch were removed, making it all-seater with four stands. The resulting reduction in capacity and match-day revenue eventually led to Arsenal opting to build a new stadium, to become known as the Emirates Stadium, nearby, to which they moved in 2006. Recently, Highbury has undergone redevelopment to turn it into a block of flats, with most of the stadium being demolished; parts of the East and West Stands remained to be incorporated into the new development due to their listed status.
The stadium also hosted international matches – both for England and in the 1948 Summer Olympics – and FA Cup semi-finals, as well as boxing, baseball and cricket matches. Its presence also led to the local London Underground station being renamed to Arsenal in 1932, making it the only station on the Underground network to be named after a football club.
In addition to its architecture, the stadium was known for its small but immaculate pitch and for the famous clock which was positioned in the southern side of the ground since its introduction in 1930.

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