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Les Nabis, at Natansons house in Villeneuve-sur-Yonne, France, c. 1898 (b / w photo)
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Les Nabis, at Natansons house in Villeneuve-sur-Yonne, France, c. 1898 (b / w photo)
1629959 Les Nabis, at Natansons house in Villeneuve-sur-Yonne, France, c. 1898 (b/w photo) by French Photographer, (19th century); (add.info.: Standing: Cipa (half brother of Misia), seated : Felix Valloton, Edouard Vuillard, Stephane Natanson, Marthe Mellot, Thadee Natanson and Misia Natanson (future Misia Sert)); © Tallandier
Media ID 23079926
© Tallandier / Bridgeman Images
Alfred Avant Garde Avantgarde Cultural Edouard Felix Fin De Siecle Informal Marthe Modern Modernist Nabis Natanson Post Impressionism Reclining Relaxed Sculptor Misia Post Impressionist Sert Stephane Vuillard
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EDITORS COMMENTS
This photograph captures a moment of artistic camaraderie and cultural significance. Taken in 1898 at Stephane Natanson's house in Villeneuve-sur-Yonne, France, it features the influential avant-garde group known as Les Nabis. The image showcases some of the most notable figures of the time, including actors, painters, sculptors, and writers. In this informal setting, we see Cipa (half-brother of Misia) standing alongside Felix Valloton, Edouard Vuillard, Stephane Natanson himself, Marthe Mellot, Thadee Natanson (Stephane's brother), and Misia Natanson (who would later become Misia Sert). Their relaxed postures and smiling faces reflect their shared passion for modernist art and their role in shaping the cultural landscape of fin de siècle France. The Les Nabis were pioneers of post-impressionism and played a significant role in pushing artistic boundaries during the late 19th century. This photo offers a glimpse into their world - a world where artists from different disciplines came together to challenge traditional norms through innovative works of art. Captured by an anonymous French photographer from the 19th century but preserved by Bridgeman Images today, this print serves as a testament to the enduring impact these artists had on European culture. It is not just an image; it is a window into an era that continues to inspire generations with its avant-garde spirit.
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