Sert Collection

La femme au fauteuil (Misia Natanson), 1896. Creator: Vuillard, Édouard (1868-1940)
La femme au fauteuil (Misia Natanson), 1896. Private Collection

Afzejare ark in Akakous desert, Lybia

Spain. Civil War (1936-1939). 50 cents note issued by the towns of Albaida and Pau de Sert (Santa Pau). Coin

WWII-1940 North African Campaign-The italian invasion of Aegypt
5314462 WWII-1940 North African Campaign-The italian invasion of Aegypt, La Domenica del Corriere September 22nd 1940 by Beltrame

WWII-1940 1941-Campaign in North Africa- A clash between Bersaglieri
5314445 WWII-1940 1941-Campaign in North Africa- A clash between Bersaglieri and British armored elements in Cyrenaica from La Domenica del Corriere del 28 July 1940, illustration by A by Beltrame

Les Nabis, at Natansons house in Villeneuve-sur-Yonne, France, c. 1898 (b / w photo)
1629959 Les Nabis, at Natansons house in Villeneuve-sur-Yonne, France, c. 1898 (b/w photo) by French Photographer, (19th century); (add.info.: Standing: Cipa (half brother of Misia)

Misia Natanson (b / w photo)
475996 Misia Natanson (b/w photo) by French Photographer, (19th century); Collection Annette Vaillant, France; (add.info)

Sous cette gravure, qui sert de frontispice au Traite de la peste, 1721 (engraving)
3629614 Sous cette gravure, qui sert de frontispice au Traite de la peste, 1721 (engraving) by French School, (19th century); Private Collection; (add.info.: Sous cette gravure)

WWII-1940 1941-North African Campaign-Italian invasion of Egypt
5314466 WWII-1940 1941-North African Campaign-Italian invasion of Egypt by Beltrame, Achille (1871-1945); (add.info.: WWII-1940 1941-North African Campaign-Italian invasion of Egypt)

La nuque de Misia, 1897-1899. Creator: Vuillard, Edouard (1868-1940)
La nuque de Misia, 1897-1899. Private Collection

Madame Misia Natanson, 1898. Creator: Toulouse-Lautrec, Henri, de (1864-1901)
Madame Misia Natanson, 1898. Private Collection

Camachos Wedding (Die Hochzeit des Camacho), 1929-1930. Creator: Sert, Jose Maria
Camachos Wedding (Die Hochzeit des Camacho), 1929-1930. Found in the Collection of Fundacion Banco Santander

Misia Sert, 1904. Artist: Pierre-Auguste Renoir
Misia Sert, 1904. Located in the National Gallery, London, England

Misia at Her Dressing Table, 1898. Artist: Vallotton, Felix Edouard (1865-1925)
Misia at Her Dressing Table, 1898. Found in the collection of the Musee d Orsay, Paris

Misia at the Piano, 1895-1896. Found in the Collection of Metropolitan Museum of Art, New York

Misia assise dans une bergere, dit Nonchaloir, 1901
Misia assise dans une berge re, dit Nonchaloir, 1901. Found in the Collection of Muse e d Orsay, Paris

Les Enfants. Misia, 1909. Private Collection

Misia Natanson at the Piano. Found in the Collection of Kunstmuseum Bern

Intelligence, Industrial progress, Technological Progress, ca 1935
Intelligence. Industrial progress. Technological Progress, ca 1935. Private Collection

Misia Natanson. Artist: Anonymous
Misia Natanson. Found in the collection of Musee dśOrsay, Paris

Misia Natanson. Artist: Vuillard, Edouard (1868-1940)
Misia Natanson. Found in the collection of Musee dśOrsay, Paris

Misia at her desk, 1897. Artist: Vallotton, Felix Edouard (1865-1925)
Misia at her desk, 1897. Found in the collection of Musee de Saint-Tropez

Misia in the Woods, 1897-1899. Artist: Vuillard, Edouard (1868-1940)
Misia in the Woods, 1897-1899. Private Collection

The Carousel (El tiovivo). Artist: Sert, Jose Maria (1874-1945)
The Carousel (El tiovivo). Private Collection

Misia Natanson in Cannes Artist: Vuillard, Edouard (1868-1940)
Misia Natanson in Cannes. Private Collection

Portrait of Josep Maria Sert (1874-1945). Artist: Casas, Ramon (1866-1932)
Portrait of Josep Maria Sert (1874-1945). Private Collection

Vallotton and Natanson. Artist: Vuillard, Edouard (1868-1940)
Vallotton and Natanson. Private Collection

The Waldorf Astoria, Sert Room, Murals by Jose Maria Sert c1930s. The present hotel, at 301 Park Avenue, New York, is a 47-story 190.5 m (625 ft)

Summer - Africa (Triptych), 1917-1918. Artist: Sert, Jose Maria (1874-1945)
Summer - Africa (Triptych), 1917-1918. Private Collection

Sand, Lybia

Erg Ubari desert, Lybia

Road sign : beware of camels, Tunisia

Paris International Exhibition. Spanish Pavilion
Paris International Exhibition (1937). Sketch of the entrance to the Spanish Pavilion, designed by Josep Llu� Sert and Luis Lacasa. SPAIN. CASTILE AND LEON. Salamanca

Pyramide placee au fond de la nef qui sert d entree a l interieur du mausolee, Description du catafalque et du cenotaphe eriges dans l eglise de Paris, le 7 septembre 1774, pour tres-grand

SERT, Jos頍ar�(1874-1945). Crucifixion. 1939
SERT, Jos頍 aric (1874-1945). Crucifixion. 1939 - 1945. Wall painting. Oil. SPAIN. CATALONIA. BARCELONA. Vic. Cathedral

SERT, Josep Maria. Love and Silence
SERT, Jos頍 aric (1874-1945). Dance of Love. Love and silence. 1910. Sketch of the scenery by Hein Keckroth. Romanticism. Drawing. Private Collection

SERT, Josep Maria. Camino de la Victoria
SERT, Jos頍 aric (1874-1945). Way to Victory. 1943. Sketch of an unfinished project to decorate the chapel of the Alcạ r of Toledo. Oil on wood. Private Collection

Paris International Exhibition (1937). Spanish
" Paris International Exhibition (1937). Spanish Pavilion, work by Josep Llu� Sert and Luis Lacasa. Auditorium from the stage with Picassos " Gernika" in the backgriund. SPAIN

Paris International Exhibition (1937). Construction of the Spanish Pavilion, work by Josep Llu� Sert and Luis Lacasa. SPAIN. Salamanca. Archivo Hist󲩣 o Nacional

FRANCE. Paris. Paris International Exhibition (1937). Building of the Spanish Pavilion, designed by Josep Llu� Sert and Luis Lacasa. The works on 23rd May. Photo by Roness-Ruan. SPAIN

Paris International Exhibition (1937). Floor of the Spanish Pavilion, with the signature of the architects Josep Llu� Sert and Luis Lacasa. SPAIN. Salamanca. Archivo Hist󲩣 o Nacional

Paris International Exhibition (1937). Building

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"Sert: A Journey through Art, War, and History" Step into the world of Sert, a name that resonates with creativity and resilience. From the captivating brushstrokes of Edouard Vuillard's masterpiece "La nuque de Misia" to the turmoil of Spain's Civil War depicted on a 50 cents note, Sert's influence spans across time and continents. At the Paris International Exhibition, visitors were enthralled by the Spanish Pavilion, showcasing Spain's rich artistic heritage. Little did they know that soon after, World War II would engulf Europe in chaos. The North African Campaign witnessed fierce battles between Italian invaders and Egyptian defenders - a clash immortalized in history. But amidst war and destruction, art continued to thrive. Les Nabis gathered at Natanson's house in Villeneuve-sur-Yonne for creative discussions captured forever in black-and-white photographs. Misia Natanson herself became an iconic figure photographed by Toulouse-Lautrec - her elegance transcending time. Intriguingly, beneath an engraving serving as a frontispiece to "Traite de la peste, " we find another reference to WWII’s North African Campaign; this time highlighting Italy's invasion of Egypt once again. It seems fate intertwined these events with Sert’s story. Sert himself left his mark on art history through his work "Camachos Wedding. " Created during a tumultuous period between 1929-1930 when political tensions were rising worldwide – it stands as a testament to his ability to capture emotion amidst uncertainty. As we delve into Sert’s journey through various periods and mediums – from Vuillard’s delicate strokes capturing Misia’s neck to Toulouse-Lautrec immortalizing Madame Misia Natanson – we witness how art intertwines with historical events shaping our world. Sert embodies more than just an artist; he represents resilience against adversity while leaving behind traces of beauty and creativity.