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The Nymph of Fontainebleau, c. 1575-99 (oil on wood)
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The Nymph of Fontainebleau, c. 1575-99 (oil on wood)
3746319 The Nymph of Fontainebleau, c.1575-99 (oil on wood) by French School, (16th century); 66x121.3 cm; Metropolitan Museum of Art, New York, USA; (add.info.: May be by a Flemish artist, dedicated to Francis I (1494-1547) first King of France from the Angoulme branch of the House of Valois, patron of the arts, whose favourite palace was Fontainebleau.
.......Francis I, king of the Franks, the most mighty father of fine arts and literature, left unfinished in his home, surrounding a figure of Diana resting from the chase and emptying the urn of the Fountain of Beautiful Water ); French, out of copyright
Media ID 23145470
© Bridgeman Images
Artemis Cherubim Dedication Diana Flemish Fontainebleau Francis Francois I Hound Huntress King Of The Franks Medallion Nymph Pillars Salamander Trompe L Oeil Trompe Loeil Cherub Cherubs Monarch School Of Fontainebleau
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The Nymph of Fontainebleau - A Tribute to Francis I, Patron of the Arts
EDITORS COMMENTS
. This print showcases "The Nymph of Fontainebleau" an exquisite oil painting from the 16th century. Measuring 66x121.3 cm, this masterpiece is housed in the prestigious Metropolitan Museum of Art in New York City. Believed to be created by a Flemish artist, this artwork pays homage to Francis I, the first King of France from the Angoulême branch of the House of Valois. Known for his unwavering support for arts and literature, Francis I held a special fondness for Fontainebleau Palace. Intriguingly depicted within this enchanting painting is Diana, the goddess associated with hunting and nature. Resting from her chase, she gracefully empties an urn filled with water from the Fountain of Beautiful Water. Surrounding her are lush gardens adorned with pillars and cherubs that add a touch of whimsy to this classical scene. As we delve into this Renaissance-era artwork, we are reminded not only of its mythological elements but also its dedication to King Francis I himself. The intricate details and trompe l'oeil technique employed here transport us back in time as we appreciate both its beauty and historical significance. "The Nymph of Fontainebleau" serves as a testament to Francis I's legacy as a great patron monarch who nurtured artistry during his reign—a true embodiment of his title as king and hunter alike.
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