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Otium Cum Dignitati Smoking the Calumet, c. 1837 (pencil, w / c and gouache on paper)
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Otium Cum Dignitati Smoking the Calumet, c. 1837 (pencil, w / c and gouache on paper)
5310523 Otium Cum Dignitati Smoking the Calumet, c.1837 (pencil, w/c and gouache on paper) by Miller, Alfred Jacob (1810-74); 20.4x19.1 cm; Joslyn Museum, Omaha, Nebraska, USA; (add.info.: Miller and Scottish soldier Sir William Drummond Stewart (1795-1871) accompanied Thomas Fitzpatrick (1799-1854) trapper with the American Fur Company in 1837 on the Oregon Trail through old Nebraska Territory to one of the last fur trappers rendezvous in the Green River Valley, now Wyoming.
The Snake Indians--Shoshone--were old friends of Stewart, the peace pipe or calumet of kinship facilitated fur trade agreements.)
Media ID 24744598
© Bridgeman Images
American Fur Company Rendezvous American Native Indians American West Arrow Arrow Point Arrows Civilisation Cultural Expedition Feather Feathered Feathers Frontier Geographical Indigenous Peoples Of The Americas Indigineous Mauri Miller Alfred Jacob 1810 74 National Costume Oregon Trail Pipe Smoking Pipes Plains Indians Rockies Rocky Mountains Shoshone Sioux Smoker Smokers Smoking Addiction Snake Tribe Tobacco Tribe America Continent Defensive Weapon Infantry Weapon Only One Person Summer Clothes
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Otium Cum Dignitati Smoking the Calumet, c. 1837
EDITORS COMMENTS
is a captivating artwork that captures a significant moment in American history. Created by Alfred Jacob Miller, this pencil, watercolor, and gouache print depicts Scottish soldier Sir William Drummond Stewart and Thomas Fitzpatrick on their journey through the Oregon Trail. The painting showcases an intimate scene where Stewart is seen smoking the calumet or peace pipe with Snake Indians (Shoshone), symbolizing kinship and facilitating fur trade agreements. The artist beautifully portrays the cultural exchange between Native Americans and European explorers during this time. Miller's attention to detail is evident in his depiction of Stewart's traditional costume, complete with feathers and a bow as he engages in conversation with the indigenous people. The vibrant colors used in this artwork bring life to the landscape of the Rocky Mountains, adding depth to the overall composition. This piece not only serves as a visual representation of exploration but also highlights the historical significance of trade relations between different tribes during America's frontier era. It offers viewers a glimpse into early 19th-century North America while showcasing Miller's artistic talent. Displayed at Joslyn Museum in Omaha, Nebraska, "Otium Cum Dignitati Smoking the Calumet" invites us to reflect on our nation's past and appreciate its rich cultural heritage.
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