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Personal adornment when received into the third degree of official membership cult, society (colour litho)
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Personal adornment when received into the third degree of official membership cult, society (colour litho)
980592 Personal adornment when received into the third degree of official membership cult, society (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Personal adornment when received into the third degree of official membership cult, society. Illustration for an article on The Sia by Matilda Coxe Stevenson. From the Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-90 by J W Powell, Director (Washington, Government Printing Office, 1894).); Look and Learn / Elgar Collection
Media ID 23032066
© Look and Learn / Elgar Collection / Bridgeman Images
Adornment American Indian American Indians American Native Indians Anthropology Cult Cults Degree Engravings Ethnographic Ethnology Faces Indigenous Initiation Member Members Membership Native Americans Official Painted Peoples Personal Received Tribe Tribes
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EDITORS COMMENTS
This photograph print titled "Personal adornment when received into the third degree of official membership cult, society" takes us back to the 19th century and offers a glimpse into the rich cultural traditions of American Indian tribes. The image showcases an indigenous individual adorned with intricate decorations on their face and body, symbolizing their initiation into a prestigious tribal society. The vibrant colors and ornate designs highlight the importance of personal adornment in Native American culture. Each stroke of paint tells a story, representing tribal identity, social status, and spiritual significance. This visual representation serves as a testament to the deep-rooted connection between personal expression and communal belonging. Originally featured as an illustration for an article on The Sia by Matilda Coxe Stevenson in J. W Powell's report for the Bureau of Ethnology, this print provides valuable insights into the anthropology and history of Native American peoples. It invites us to appreciate their unique customs while acknowledging their resilience in preserving these traditions despite external pressures. As we gaze upon this remarkable artwork from our private collection, let us reflect on how personal adornment can transcend mere decoration; it becomes a powerful tool for self-expression, cultural preservation, and community bonding. Through this image captured by an anonymous 19th-century artist, we are reminded that beauty lies not only in aesthetics but also in honoring one's heritage and embracing diversity across different societies around the world.
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