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Sakurada Avenue in Tokio, Yashikis of daimios, now occupied by the Foreign Office and War Department (engraving)

Sakurada Avenue in Tokio, Yashikis of daimios, now occupied by the Foreign Office and War Department (engraving)


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Sakurada Avenue in Tokio, Yashikis of daimios, now occupied by the Foreign Office and War Department (engraving)

6026574 Sakurada Avenue in Tokio, Yashikis of daimios, now occupied by the Foreign Office and War Department (engraving) by American School, (19th century); Private Collection; (add.info.: Sakurada Avenue in Tokio, Yashikis of daimios, now occupied by the Foreign Office and War Department. Illustration for The Mikados Empire by William Elliot Griffis (Harper, 1877).); © Look and Learn

Media ID 22581714

© Look and Learn / Bridgeman Images

Foreign Office Occupied Tokio War Department


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EDITORS COMMENTS
This engraving, titled "Sakurada Avenue in Tokio, Yashikis of daimios, now occupied by the Foreign Office and War Department" takes us on a journey through time to 19th century Japan. The image showcases the transformation of historical landmarks as it depicts the yashikis (residences) of powerful feudal lords known as daimios being repurposed for governmental use. The scene is set along Sakurada Avenue, a renowned thoroughfare in Tokyo. The artist skillfully captures the grandeur and architectural beauty of these traditional Japanese buildings that once housed influential samurai families. Now standing tall against the backdrop of modernization, they have been taken over by two significant institutions - the Foreign Office and War Department. This engraving was originally created as an illustration for William Elliot Griffis' book "The Mikados Empire" published in 1877. It offers viewers a glimpse into Japan's rich history during a period when Western influence began to shape its future. As we observe this artwork, we are reminded of how cultures evolve over time while still preserving their heritage. This print serves as a testament to Japan's ability to adapt and embrace change without losing sight of its past. It invites us to reflect upon our own histories and appreciate the delicate balance between progress and tradition.

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