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Composition symbolique de l alchimie, un jeune homme nu, aile et couronne, brandit deux caducees, entoure de la Lune et du soleil, face a des hommes armes d epees portant un aigle et un serpent - Gravure de Theodore de Bry (1528-1598)
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Composition symbolique de l alchimie, un jeune homme nu, aile et couronne, brandit deux caducees, entoure de la Lune et du soleil, face a des hommes armes d epees portant un aigle et un serpent - Gravure de Theodore de Bry (1528-1598)
FIA5391202 Composition symbolique de l alchimie, un jeune homme nu, aile et couronne, brandit deux caducees, entoure de la Lune et du soleil, face a des hommes armes d epees portant un aigle et un serpent - Gravure de Theodore de Bry (1528-1598), pour le traite d alchimie " Tripus avreus, hoc est, Tres tractatus chymici selectissimi" par Michael Maier (1569-1622), 1618 - (Illustration for Tripvs avrevs, hoc est, Tres tractatvs chymici selectissimi, Engraving by Theodor de Bry) - Private Collection by Bry, Theodor de (1528-98); Private Collection; Photo © Fine Art Images
Media ID 24750240
© Fine Art Images / Bridgeman Images
Alchemy Bird Of Prey Caduceus Eagle Moon Reptiles Serpent Snakes
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EDITORS COMMENTS
This engraving, titled "Composition symbolique de l'alchimie" is a visual masterpiece that encapsulates the mystical world of alchemy. Created by Theodore de Bry in the late 16th century, this artwork depicts a young nude man adorned with wings and a crown, wielding two caduceuses. He stands surrounded by the celestial bodies of the moon and sun, exuding an aura of power and wisdom. In stark contrast to his ethereal presence, armed men brandishing swords confront him. One carries an eagle while another holds a serpent. This symbolic confrontation between light and darkness represents the eternal struggle between good and evil within alchemical philosophy. The intricate details of this engraving showcase De Bry's exceptional skill as an artist. The delicate lines bring life to every element: from the feathers on the wings to the scales on the serpent's body. The use of black and white enhances its dramatic effect, emphasizing both harmony and tension within this allegorical composition. This print was originally created for Michael Maier's treatise on alchemy called "Tripus avreus" in 1618. It serves as a visual representation of complex philosophical concepts explored in Maier's work. Today, this remarkable piece resides in a private collection but continues to captivate viewers with its enigmatic symbolism. It reminds us of humanity's enduring fascination with unlocking nature's secrets through science and spirituality – forever seeking enlightenment amidst shadows.
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