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Windmill in Flanders; Moulin en Flandre, 1894 (oil on canvas)
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Windmill in Flanders; Moulin en Flandre, 1894 (oil on canvas)
652843 Windmill in Flanders; Moulin en Flandre, 1894 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 80x68.5 cm; Private Collection; (add.info.: Windmill in Flanders; Moulin en Flandre. Theo van Rysselberghe (1862-1926). Oil on canvas. Painted in 1894. 80 x 68.5cm); Photo eChristies Images; Belgian, out of copyright
Media ID 22795702
© Christie's Images / Bridgeman Images
092011upload 1894 Agricultural Building Artist Belgian Belgian Art Belgian Artist Boundary Fence Flanders Hillside Hilltop Hilly Imposing Mill Natural Light Neo Impressionist Pointillism Pointillist Pointillistic Post Impressionism Roadside Rysselberghe Sunny Theo Van Rysselberghe Windmill Alternative Energy Natural Space Positive Concepts Post Impressionist
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EDITORS COMMENTS
This print showcases Theo van Rysselberghe's masterpiece, "Windmill in Flanders; Moulin en Flandre" painted in 1894. The oil on canvas painting measures 80x68.5 cm and is part of a private collection. The image captures the essence of rural life in late nineteenth-century Belgium. Set against a picturesque countryside backdrop, the imposing windmill stands tall atop a hill, its blades gracefully turning with the wind. The artist's post-impressionist style is evident through his use of vibrant colors and precise brushstrokes. The composition exudes tranquility as natural light bathes the scene, casting soft shadows across the landscape. A fence marks the boundary between civilization and nature, while rolling hills add depth to the scenery. Van Rysselberghe's attention to detail is remarkable - every cloud in the sky seems meticulously placed, contributing to an overall sense of harmony. The windmill itself becomes a symbol of alternative energy sources during this time period when industrialization was rapidly transforming Europe. As we gaze upon this artwork, we are transported back in time to experience life in rural Flanders at its most idyllic. This piece not only celebrates Belgian art but also serves as a testament to Van Rysselberghe's talent as a neo-impressionist painter.
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