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Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete

Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete


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Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete

ICA4936784 Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete, English language, Foreign press - Turkey - Animalisation by Tenniel, John (1820-1914); (add.info.: Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete, English language, Foreign press - Turkey - Animalisation); Photo eCaricadoc; English, out of copyright

Media ID 23344116

© Caricadoc / Bridgeman Images

Cage Chick Crete Cretoises International Relations Caricadoc Fear Grece Journalism Turk


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> Animals > Birds > Passerines > Swallows And Martins > Related Images

> Arts > Artists > T > John Tenniel

> Asia > Turkey > Related Images

> Europe > United Kingdom > England > Related Images

> Fine Art Finder > Artists > Charles Gilbert-Martin

> Fine Art Finder > Artists > John Tenniel


EDITORS COMMENTS
This print captures an illustration by John Tenniel, a renowned artist of the 19th century. Published in Punch magazine on October 26,1889, this artwork titled "Turkey, Crete" depicts a thought-provoking allegory that delves into international relations and political tensions of the time. In this intricate engraving, Tenniel skillfully portrays Turkey as an animalized figure wearing a hat symbolizing power. The Turkish character appears to be caging a chick representing Greece or Crete, evoking fear and oppression. This caricature sheds light on the British perspective towards these European nations during that era. The image serves as a powerful commentary on the complex dynamics between Britain and Turkey in the Middle East region. It highlights how Britain viewed itself as superior while perceiving Turkey as both threatening and oppressive. Tenniel's mastery is evident through his attention to detail and ability to convey emotions through his illustrations. The use of animals metaphorically represents various nations involved in these geopolitical conflicts. This historical artifact not only showcases Tenniel's artistic brilliance but also provides valuable insights into the prevailing sentiments surrounding international politics during the late 19th century. As we gaze upon this remarkable piece, we are transported back in time to witness an important chapter in European history captured through artistry and journalistic expression.

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