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Poster Print : Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete

Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete



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Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete

ICA4936784 Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete, English language, Foreign press - Turkey - Animalisation by Tenniel, John (1820-1914); (add.info.: Illustration of John Tenniel (1820-1914) in Punch, 1889-10-26 - Turkey, Crete, English language, Foreign press - Turkey - Animalisation); Photo eCaricadoc; English, out of copyright

Media ID 23344116

© Caricadoc / Bridgeman Images

Cage Chick Crete Cretoises International Relations Caricadoc Grece Journalism Newspapers Turk


A4 (29.7 x 21cm) Poster Print

Bring a piece of historical illustration into your home or office with our Media Storehouse range of Poster Prints. This captivating print features an illustration by the renowned English artist, John Tenniel, published in Punch magazine on October 26, 1889. The illustration, titled "Turkey, Crete," showcases Tenniel's unique ability to use animalization as a commentary on foreign press and international politics. Add this stunning piece of art to your collection and enjoy the rich history it brings to your space.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 30.3cm x 21.6cm (11.9" x 8.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Charles Gilbert-Martin

> Fine Art Finder > Artists > John Tenniel

> Arts > Artists > B > John Bird

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Asia > Turkey > Related Images

> Europe > Greece > Politics

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > United Kingdom > England > Politics

> Historic > Ancient civilizations > Ancient Greece > Greek history

> Popular Themes > Politics


EDITORS COMMENTS
This print captures an illustration by John Tenniel, a renowned artist of the 19th century. Published in Punch magazine on October 26,1889, this artwork titled "Turkey, Crete" depicts a thought-provoking allegory that delves into international relations and political tensions of the time. In this intricate engraving, Tenniel skillfully portrays Turkey as an animalized figure wearing a hat symbolizing power. The Turkish character appears to be caging a chick representing Greece or Crete, evoking fear and oppression. This caricature sheds light on the British perspective towards these European nations during that era. The image serves as a powerful commentary on the complex dynamics between Britain and Turkey in the Middle East region. It highlights how Britain viewed itself as superior while perceiving Turkey as both threatening and oppressive. Tenniel's mastery is evident through his attention to detail and ability to convey emotions through his illustrations. The use of animals metaphorically represents various nations involved in these geopolitical conflicts. This historical artifact not only showcases Tenniel's artistic brilliance but also provides valuable insights into the prevailing sentiments surrounding international politics during the late 19th century. As we gaze upon this remarkable piece, we are transported back in time to witness an important chapter in European history captured through artistry and journalistic expression.

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