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King Henry III dreaming of the collapse of a cathedral. 1842 (engraving)
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King Henry III dreaming of the collapse of a cathedral. 1842 (engraving)
7234996 King Henry III dreaming of the collapse of a cathedral. 1842 (engraving) by Strutt, Joseph (1749-1802); Private Collection; (add.info.: King Henry III of England in bed dreaming of friars Dominic and Francis supporting the collapsing Basilica of Saint John Lateran in Rome. (British Library identifies the sleeping figure as Pope Innocent III.) From a Psalter Hours with calendar in Latin, Harley MS 2356, f.8v. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.); © Florilegius
Media ID 25192242
© Florilegius / Bridgeman Images
13 13th Xiii Xiiith Century 13 Century 13th Century C13th Ethnicity Madieval National Costume Thirteenth Century Xiii Century Xiiith Century C European Economic Community C European Union Costume Design Ethnography Fancy Dress Fancy Dress Costume Inhabitant Late Middle Age Medieval Period Medioeval Middles Ages Societies Summer Clothes
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King Henry III's Troubled Dream - A Vision of Destruction
EDITORS COMMENTS
. In this engraving by Joseph Strutt, we are transported to the vivid dream world of King Henry III. The scene depicts the monarch in his bed, deep in slumber, as he envisions a catastrophic event unfolding before him. The focal point of the image is the collapsing Basilica of Saint John Lateran in Rome. As if suspended in mid-air, friars Dominic and Francis valiantly support the crumbling structure with their outstretched arms. This surreal sight symbolizes the power struggle between religious factions during King Henry III's reign. Interestingly, while historical records identify the sleeping figure as Pope Innocent III, British Library suggests it represents King Henry himself. Regardless of interpretation, this print offers a glimpse into medieval anxieties and political tensions that plagued both church and state. Handcolored with meticulous detail, Strutt's engraving showcases his expertise in capturing intricate costume designs and attire from 13th-century England. Every fold and embellishment is brought to life through his skillful handiwork. This artwork serves as a testament to Strutt's larger body of work titled "Complete View of the Dress and Habits of the People of England". Published in London during 1842, it provides invaluable insights into English culture throughout history. As we gaze upon this mesmerizing print today, we are reminded not only of its artistic beauty but also its ability to transport us back in time – allowing us to witness an extraordinary dream that encapsulates centuries-old fears and aspirations.
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