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Study on the St. Sebastian for the painting in Bergamo
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Study on the St. Sebastian for the painting in Bergamo
3124774 Study on the St. Sebastian for the painting in Bergamo by Previtali, Andrea (c.1470-1528); (add.info.: Study on the St. Sebastian for the painting in Bergamo. Study for 1506 " ANDREAS BERGOMENSIS DISSIPULUS JOVA BELINI PIXIT" labeled Madonna with the holy St. Sebastian and St. Thomas Aquinas in the gallery Lochis in Bergamo. Pen drawing on very aged paper, washed with a brush.
Andrea Previtali (1480-1528); School of Bergamo
Studie zu dem heiligen Sebastian fAor das GemAalde in Bergamo
Studie zu dem heiligen Sebastian fAor das GemAalde in Bergamo. Studie fAor die 1506 " ANDREAS BERGOMENSIS DISSIPULUS JOVA BELINI PIXIT" bezeichnete Madonna mit den heiligen St. Sebastian und Thomas von Aquin in der Galerie Lochis in Bergamo. Federzeichnung auf sehr vergilbtem Papier, mit dem Pinsel laviert.
Handzeichnungen alter Meister aus der Albertina und anderen Sammlungen. Herausgegeben von Joseph SchAonbrunner und Dr. Joseph Meder. Wien, Gerlach & Schenk. Verlag fAor Kunst und Kunstgewerbe.); ePurix Verlag Volker Christen; Italian, out of copyright
Media ID 23427728
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
This print showcases a study on the St. Sebastian for the painting in Bergamo, created by Andrea Previtali, a prominent artist from the School of Bergamo. The artwork is labeled as "Madonna with the holy St. Sebastian and St. Thomas Aquinas" and can be found in the gallery Lochis in Bergamo. The image depicts a pen drawing on aged paper that has been delicately washed with a brush to add depth and dimension to the composition. The use of this technique gives an ethereal quality to the artwork, emphasizing its timeless beauty. Andrea Previtali's attention to detail is evident in every stroke of his pen, capturing both the physicality and emotional intensity of St. Sebastian's figure. The saint stands tall and resolute, his body adorned with arrows symbolizing his martyrdom. The inclusion of St. Thomas Aquinas adds another layer of symbolism to this masterpiece, representing intellectual pursuit and theological wisdom. This print not only allows us to appreciate Previtali's artistic skill but also provides insight into his creative process through studying preliminary sketches like this one. With its rich history and exquisite craftsmanship, this artwork serves as a testament to Previtali's talent as well as an important piece within Italian art history.
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