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Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham
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Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham
XJF308751 Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham (formerly part of Manuscript B (2184), c.1488 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); 24x19 cm; Institut de France, Paris, France; Italian, out of copyright
Media ID 23383060
© Bridgeman Images
Floor Plan Mirror Writing Notebook Notebooks Notes Plans Religious Architecture Studies Aerial Perspective
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EDITORS COMMENTS
This print showcases the brilliance of Leonardo da Vinci's artistic genius. Titled "Centralised church, and maritime engineering" it is a glimpse into the mind of one of history's greatest polymaths. The image, taken from Codex Ashburnham, reveals da Vinci's meticulous attention to detail and his mastery in various fields. In this piece, we witness da Vinci's exploration of architectural designs through sketches and notes. The mirror writing adds an intriguing element to the composition, inviting us to decipher his thoughts as if peering into his private world. Through aerial perspective, he captures a bird's-eye view that allows us to appreciate the grandeur and complexity of his vision. The centralised church depicted in this artwork is a testament to da Vinci's fascination with religious architecture during the Renaissance period. His floor plans and drawings showcase his innovative approach towards temple design, blending both practicality and aesthetic appeal seamlessly. Beyond religious architecture, this print also offers a glimpse into da Vinci's interest in maritime engineering. It serves as a reminder that he was not only an artist but also an engineer ahead of his time. As we delve into this mesmerizing artwork, we are transported back in time to witness Leonardo da Vinci at work – sketching ideas, studying structures meticulously – leaving behind a legacy that continues to inspire generations even today.
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