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A young girl cries over a dirty bonnet in a room. 1791 (engraving)
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A young girl cries over a dirty bonnet in a room. 1791 (engraving)
7234854 A young girl cries over a dirty bonnet in a room. 1791 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info.: A young girl cries while a servant sweeps the floor. A dirty bonnet and coat lie on the table and chair. O! this Slovenliness is a nasty thing. Pl. 1, Vol. 1. Copperplate engraving by William Blake after an illustration by Daniel Nikolaus Chodowiecki from Mary Wollstonecrafts translation of Christian Gotthilf Salzmanns Elements of Morality, London, 1791.); © Florilegius
Media ID 25210638
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
In this engraving by Daniel Nikolaus Chodowiecki, we are transported to a room in 18th century Germany. The scene depicts a young girl who is overcome with tears as she gazes at a dirty bonnet lying on the table before her. A servant diligently sweeps the floor nearby, adding to the atmosphere of domesticity and everyday life. The image captures a moment of vulnerability and emotion, highlighting the contrast between beauty and slovenliness. The girl's distress over the soiled bonnet speaks to her desire for cleanliness and order in an otherwise chaotic environment. This engraving was created as part of Mary Wollstonecraft's translation of Christian Gotthilf Salzmann's Elements of Morality, published in London in 1791. It serves as a visual representation of themes related to societal expectations, class distinctions, and household duties during that time period. Chodowiecki's intricate details bring this scene to life – from the carefully rendered furniture to the delicate expressions on each character's face. Through his artistry, he invites us into this intimate space where we witness not only one girl's sorrow but also gain insight into larger social dynamics. As we contemplate this evocative print, it reminds us that even amidst hardship or disarray, there is always room for beauty and resilience.
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